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Òåìà: Re: Çâóêîâàÿ íà 8 âõîäíûõ êàíàëîâ
Âðåìÿ: 17.12.2025 10:44 |
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Åùå 15 ëåò íàçàä ñèòóàöèÿ áûëà ñîâñåì äðóãàÿ Ëþäè ñåé÷àñ â èëþçèè íå ìåøàéòå èì îáìàíûâàòüñÿ  Îíè òàêèå ñ÷àñòëèâûå ñëóøàþò âñÿêóþ óéíþ À êîãäà íà÷èíàåøü èì ÷òî òî ïðàâäèâîå îíè ñõëîïûâàþòñÿ è îáèæàþòñÿ 
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| Àâòîð |
Òåìà: Re: Çâóêîâàÿ íà 8 âõîäíûõ êàíàëîâ
Âðåìÿ: 17.12.2025 12:22 |
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>(äëÿ óïðàâëåíèÿ) ïîýòîìó âñ¸ ÷òî çàïèñàíî íà âèíèë òîæå öèôðà ! òàì áûëî ïðî äèëåé. Digital delay in vinyl production, specifically the Digital Delay Line (DDL), became standard in mastering from the late 70s/early 80s, using ADC/DAC conversion to give vinyl cutters a crucial preview of the audio signal for managing groove space and preventing errors, even for "analog" masters, by delaying the signal to the cutting lathe so the engineer can react in real-time. https://www.youtube.com/watch?v=IM7sI7GZPbk |
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