| Àâòîð |
Òåìà: Masterclass with Alan Parsons and Julian Colbeck
Âðåìÿ: 28.06.2023 22:32 |
|
|---|---|---|
|
Ïîêà íàøè ãóðû íå ñíÿëè î÷åðåäíûõ âèäîñèêîâ ïðî ðåâåðñèâíóþ çàïèñü ìàñòåðèíãà ñâåäåíèÿ êîíöîâ ñ êîíöàìè, ìîæíî ïîñìîòðåòü â ïðÿìîì ýôèðå, è äàæå çàäàòü âîïðîñû Àëàíó Ïàðñîíñó. Òîëüêî ïðî îáú¸ìíûå îâåðõåäû íå íàäî !:-) https://www.youtube.com/watch?v=V_dtI5bGDEY |
|
|
|
||
| Àâòîð |
Òåìà: Re: Masterclass with Alan Parsons and Julian Colbeck
Âðåìÿ: 28.06.2023 22:39 |
|
|---|---|---|
 
|
Ãîðàçäî èíòåðåñíåå áûë áû ìàñòåðêëàññ ñ êîìàíäîé àññèñòåíòîâ . Íî êòîæ òàêîå ñäåëàåò😅 | |
|
Íåò îæèäàíèé, íåò ðàçî÷àðîâàíèé
|
||
| Àâòîð |
Òåìà: Re: Masterclass with Alan Parsons and Julian Colbeck
Âðåìÿ: 28.06.2023 22:45 |
|
|---|---|---|
|
|
÷åãî, êàêèõ àññèñòåíòîâ ? Âîò îí êàê ðàç ïðî çàïèñü áàðàáàíîâ ðàññêàçûâàåò.... >èíòåðåñíåå áûë áû ìàñòåðêëàññ ñ êîìàíäîé àññèñòåíòîâ . Íî êòîæ òàêîå ñäåëàåò😅 êàê , êòî? Îáðàòèòåñü ê Ôàðàôîíòîâó. |
|
|
|
||
| Àâòîð |
Òåìà: Re: Masterclass with Alan Parsons and Julian Colbeck
Âðåìÿ: 28.06.2023 22:47 |
|
|---|---|---|
|
|
ß ïîòîì îáÿçàòåëüíî ïîñìîòðþ öåëèêîì è âûïèøó "âîïðîñû - îòâåòû" | |
|
Íåò îæèäàíèé, íåò ðàçî÷àðîâàíèé
|
||
| Àâòîð |
Òåìà: Re: Masterclass with Alan Parsons and Julian Colbeck
Âðåìÿ: 29.06.2023 12:23 |
|
|---|---|---|
|
|
Îñèëèë ïîêà äî 27îé ìèíóòû. "- Àëàí , êàê òû ïîïàë íà Ýááè Ðîàä? - Ìíå ïîâåçëî ðàáîòàòü â EMI ãäå è óñëûøàë çàïèñü Áèòëç, î÷åíü âïå÷àòëèëñÿ çâóêîì è çàõîòåë ïîíÿòü êàê ýòî áûëî ñîçäàíî. ß íàïèñàë ïèñüìî íà ñòóäèþ è ìåíÿ ïðèãëàñèëè íà èíòåðâüþ.  èòîãå ìåíÿ âçÿëè íà ñòàæåðîâêó ìëàäøèì ïîìîùíèêîì çàìåñòèòåëÿ âñïîìîãàòåëüíîãî êóðüåðà.  îáùåì ìíå î÷åíü ñèëüíî ïîâåçëî äâàæäû. Ïîïàñòü íà EMI è ñëåäîì íà Ýááè Ðîàä. Îêàçàëñÿ â íóæíîì ìåñòå â íóæíîå âðåìÿ. " òî åñòü ê 27îé ìèíóòå "ìàñòåð êëàññà" ìû óçíàëè íîâîãî - íè÷åãî. |
|
|
Íåò îæèäàíèé, íåò ðàçî÷àðîâàíèé
|
||
| Àâòîð |
Òåìà: Re: Masterclass with Alan Parsons and Julian Colbeck
Âðåìÿ: 29.06.2023 12:29 |
|
|---|---|---|
|
Í-ñê Keyboards 
|
> "ß íàïèñàë ïèñüìî íà ñòóäèþ è ìåíÿ ïðèãëàñèëè íà èíòåðâüþ.  èòîãå ìåíÿ âçÿëè íà ñòàæèðîâêó ìëàäøèì ïîìîùíèêîì çàìåñòèòåëÿ âñïîìîãàòåëüíîãî êóðüåðà." Äîñòàòî÷íî èíèöèàòèâíûé è ïðè ýòîì äîñòàòî÷íî ñêðîìíûé è òðóäîëþáèâûé ) Âïîëíå îðèåíòèð ) È åù¸, âîçìîæíî, ñ äîñòàòî÷íî ïðîñòûì âçãëÿäîì íà âåùè — áåç âíóòðåííèõ ïðåïÿòñòâèé â ñòèëå "äà òàê òîëüêî â ñêàçêàõ áûâàåò" èëè "òîëüêî ñ äðóãèìè" è ò. ä. |
|
|
|
||
| Àâòîð |
Òåìà: Re: Masterclass with Alan Parsons and Julian Colbeck
Âðåìÿ: 29.06.2023 12:49 |
|
|---|---|---|
|
|
10. Q. What kind of equipment does Alan use in his studio/on the road? (synths/mixing consoles, sequencing tools, software/hardware, guitars etc) A. For A Valid Path, he used Steinberg's Nuendo on a dual processor PC running Windows 2000 and Steinberg's proprietary digital converters. He used both the audio recording and MIDI sequencing facilities in Nuendo. His favorite synth is Yamaha's Motif ES, which he used extensively on the latest album. He used a Yamaha 02R for monitoring, but most of the digital mixing and processing was done through Nuendo and a Houston Controller. He made good use of plug-in programs by Native Instruments, Waves and Universal Audio among others. On stage he currently uses a Gibson jumbo acoustic, a Motif ES and a Roland VS-1824 hard disc system. |
|
|
Íåò îæèäàíèé, íåò ðàçî÷àðîâàíèé
|
||
| Àâòîð |
Òåìà: Re: Masterclass with Alan Parsons and Julian Colbeck
Âðåìÿ: 29.06.2023 13:11 |
|
|---|---|---|
|
|
ñ ïîëòûêà íàøåë ãîðàçäî áîëåå èíòåðåñíûå èíòåâðüþ ÷åì îò ëþäåé èç Ôîêóñðàéò íàïðèìåð: Was there anything you particularly liked about that desk? "Well, the opportunity is there to use external mic pre's, that seems to be the way of the world right now, but I was perfectly happy to use the onboard pres most of the time. I'm a great believer in simplicity. It just complicates matters when you choose one mic pre for the kick drum, another one for the snare, a different one for the overheads... "I just like to keep things simple. Having said that, my favourite mic pre which is also a limiter/compressor is the Universal Audio 6176... I'm looking at it right now. I'm also a big fan of the original dbx 160." Have you used the Universal Audio plugins? "I use them all the time, I love their plugins, particularly their EMT plates! I use them on everything, any time I need reverb that would be my go-to." ... https://www.musicradar.com/news/tech/alan-parsons- on-his-favourite-gear-and-why-he-avoids-using-comp ression-630648 |
|
|
Íåò îæèäàíèé, íåò ðàçî÷àðîâàíèé
|
||
| Àâòîð |
Òåìà: Re: Masterclass with Alan Parsons and Julian Colbeck
Âðåìÿ: 29.06.2023 13:14 |
|
|---|---|---|
|
|
íó è ïðî ëåíòó The industry and music technology have changed a lot since those days. "Yeah, but I haven't really changed my production philosophies. What has changed is the medium: now I record onto hard disk rather than tape, and that makes things so much easier if you want to move things around or repeat things. "It used to be such a long, drawn-out process to do a multitrack tape, then cut things in, move them around a frame at a time. It was really complicated. But nowadays it's so easy, I've often said in interviews the tape loop on the intro of Money by Pink Floyd, that took all day to put that together. "These days you could just put it into Pro Tools, split it up and it would be done in five minutes!" |
|
|
Íåò îæèäàíèé, íåò ðàçî÷àðîâàíèé
|
||
| Àâòîð |
Òåìà: Re: Masterclass with Alan Parsons and Julian Colbeck
Âðåìÿ: 29.06.2023 13:17 |
|
|---|---|---|
|
|
ïðî Double Track with VariSpeed |
|
|
Íåò îæèäàíèé, íåò ðàçî÷àðîâàíèé
|
||
| Àâòîð |
Òåìà: Re: Masterclass with Alan Parsons and Julian Colbeck
Âðåìÿ: 29.06.2023 16:44 |
|
|---|---|---|
|
|
>ïðî Double Track with VariSpeed Äà, ýòî ñàìûé ëó÷øèé ñïîñîá ïîëó÷åíèÿ ýôôåêòà äàáë-òðåê. Ó íèõ ñ ýòèì áûëè ïðîáëåìû ß ïèñàë àìåðèêàíöåâ, è ïðîñèë ñäåëàòü äàáë-òðåêè íà âîêàëå è ãèòàðàõ, òèïà, ñïåòü è ñûãðàòü åù¸ ðàç . Îíè ñäåëàëè........â íóëèíó ! Ïîñëå ýòîãî ÿ íà÷àë ëó÷øå ïîíèìàòü "ñåêðåòû" èõ ìèêñîâ:-) Ó íàñ íå áûëî òàêèõ ïðîáëåì, ïåëè òîëüêî ÷òî íå â ñåêóíäó, à èãðàëè ìèìî è íà ðàññòðîåííûõ ãèòàðàõ:-( Êîãäà ïåâåö íå ìîã âûòÿíóòü âåðõíþþ íîòó, ïðèõîäèëîñü â ýòîì ìåñòå ïðè çàïèñè, íå çàìåòíî äëÿ íåãî ïëàâíî ïîíèçèòü ñêîðîñòü ìàôîíà íà íóæíóþ âåëè÷èíó ! Êîãäà ÿ ýòîò ôèíò ïðîäåìîíñòðèðîâàë îäíîìó àìåðèêàíñêîìó ïðîäþñåðó, îí âûòàðàùèë ãëàçà, è òóò æå ïðåäëîæèë ðàáîòó â ñâîåé ñòóäèè:-) |
|
|
|
||
| Àâòîð |
Òåìà: Re: Masterclass with Alan Parsons and Julian Colbeck
Âðåìÿ: 29.06.2023 17:19 |
|
|---|---|---|
|
|
>à èãðàëè ìèìî è íà ðàññòðîåííûõ ãèòàðàõ:-( òàê çà÷åì ìó÷àåòåñü? ïèøèòå àìåðèêàíöåâ èñêëþ÷èòåëüíî. Ãëàâíîå íå ïóòàòü ñ êàíàäöàìè, ýòî äðóãîé ïàñïîðò. |
|
|
Íåò îæèäàíèé, íåò ðàçî÷àðîâàíèé
|
||
| Àâòîð |
Òåìà: Re: Masterclass with Alan Parsons and Julian Colbeck
Âðåìÿ: 29.06.2023 17:54 |
|
|---|---|---|
|
|
Äà ÿ è íå ìó÷àþñü. Ïèøó. Ýòî íàøè ïåâöû ìó÷àëèñü, ïîýòîìó ïðèøëîñü èì ïîìîãàòü. À âû ïàòåíò ïîêóïàéòå íà çàïèñü æåëåçà ñíèçó, ïðèêîëüíûé òðþê:-) È ñêîëüêî åù¸ èõ áóäåò !:-) |
|
|
|
||
| Àâòîð |
Òåìà: Re: Masterclass with Alan Parsons and Julian Colbeck
Âðåìÿ: 29.06.2023 18:04 |
|
|---|---|---|
|
|
>À âû ïàòåíò ïîêóïàéòå íà çàïèñü æåëåçà ñíèçó, ïðèêîëüíûé òðþê:-) çà÷åì? ìíå áîëüøå íðàâèòñÿ ñâåðõó, òàê ïðîùå ëè÷íî ìíå è ïðèâû÷íåå. |
|
|
Íåò îæèäàíèé, íåò ðàçî÷àðîâàíèé
|
||