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Òåìà: Ñòóäèÿ çâóêîçàïèñè "Ðåêà"
Âðåìÿ: 18.05.2008 10:56 |
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Ñòóäèÿ çâóêîçàïèñè "Ðåêà" Îáîðóäîâàíèå: Ìèêøåðíûé ïóëüò: – Soundcraft LX7 24Ch Êîíòðîëüíûå ìîíèòîðû: KRK V6 (1-ÿ ñåðèÿ) TRUTH B2031A custom cheap-êîíòðîëü Microlab SOLO-1 Ðåêîðäåðû: 1. Ïðîãðàììíî-àïïàðàòíûé êîìïëåêñ Digidesign Pro Tools III TDM System â ñîñòàâå: Apple Power Macintosh 9600 Digidesign Disk i/o - 2øò, Digidesign DSP Farm – 3øò Digidesign Pro Tools 882 Interface (8in/8out) - 2øò Digidesign ProTools 5.0.1 Digidesign Sound Designer II Lodgic Audio Platinum 4.8 16 êàíàëîâ îäíîâðåìåííîé çàïèñè 16 êàíàëîâ âîñïðîèçâåäåíèÿ. 2. IBM PC P-IV M-Audio Delta 10/10 + M-Audio Delta 66 Steinberg Cubase SX 2 Steinberg WaveLab v5.01b 16 êàíàëîâ îäíîâðåìåííîé çàïèñè 16 êàíàëîâ âîñïðîèçâåäåíèÿ. Îáå ñèñòåìû ñèíõðîíèçèðîâàíû, è ìîãóò ðàáîòàòü êàê îäèí åäèíûé êîìïëåêñ, ñ âîçìîæíîñòüþ çàïèñè 30 äîðîæåê îäíîâðåìåííî. 3. Ìàñòåð-ðåêîðäåðû: MECHLABOR STM-210-b - àíàëîãîâûé ñòóäèéíûé ìàãíèòîôîí 2ch, 1/4inch Panasonic SV-3700 – DAT- ìàãíèòîôîí. Sony DTC1000 – DAT- ìàãíèòîôîí. Yamaha CRW-F1 - CD – ðåêîðäåð. Ìèêðîôîíû: Rode NTK – 1øò – ëàìïîâûé ñòóäèéíûé ìèêðîôîí. MXL9000– 1øò – ëàìïîâûé ñòóäèéíûé ìèêðîôîí. MXL2003 – 1øò – êîíäåíñàòîðíûé ñòóäèéíûé ìèêðîôîí. NADY SCM 1000 – 1øò – êîíäåíñàòîðíûé ñòóäèéíûé ìèêðîôîí. Îêòàâà ÌÊ 319 – 1øò – êîíäåíñàòîðíûé ñòóäèéíûé ìèêðîôîí. Shure SM 57 – 6øò – äèíàìè÷åñêèé èíñòðóìåíòàëüíûé ìèêðîôîí. Shure Beta 58A –1øò – äèíàìè÷åñêèé ìèêðîôîí. Sennheiser e835S –1øò – äèíàìè÷åñêèé ìèêðîôîí. AKG D112 –1øò – äèíàìè÷åñêèé èíñòðóìåíòàëüíûé ìèêðîôîí äëÿ áàñîâûõ èíñòðóìåíòîâ Îêòàâà ÌÊ-012 – 2øò - êîíäåíñàòîðíûé ñòóäèéíûé ìèêðîôîí ñî ñìåííûìè êàïñþëÿìè (ñòåðåîïàðà) Samson CO2 – 2øò – êîíäåíñàòîðíûé èíñòðóìåíòàëüíûé ìèêðîôîí. (ïîäîáðàííàÿ ïàðà). Ïðèáîðû è îáðàáîòêà: Long Stereo Chennel - äâóõêàíàëüíûé ïðåäóñèëèòåëü ñ äèíàìè÷åñêèìè ïðîöåññîðàìè. ART TPS – äâóõêàíàëüíûé ëàìïîâûé ìèêðîôîííûé ïðåäóñèëèòåëü ñ ëèìèòåðîì. DBX 266XL – äâóõêàíàëüíûé êîìïðåññîð, ýêñïàíäåð/ãåéò. Samson S-gate 4 – ÷åòûð¸õêàíàëüíûé, ÷àñòîòíî-çàâèñèìûé ýêñïàíäåð/ãåéò, äàêêåð. Lexicon MPX100 – ïðîöåññîð ýôôåêòîâ. TC Electronic M300 – ïðîöåññîð ýôôåêòîâ. DigiTech Studio 100 – ïðîöåññîð ýôôåêòîâ. Alesis Midiverb II – ïðîöåññîð ýôôåêòîâ. Aphex Aural Exciter Type Ñ – ïñèõîàêóñòè÷åñêèé ïðîöåññîð. Ïðî÷åå: Behringer Powerplay Pro HA 4600 – óñèëèòåëü/ðàñïðåäåëèòåëü äëÿ íàóøíèêîâ, íà 12 ïàð. ART dPDB – 2-õ êàíàëüíûé äèðåêò-áîêñ M-Audio midisport (4x4) – ìèäè èíòåðôåéñ. Opcode Studio 4 (8õ8) – ìèäè èíòåðôåéñ. Íàóøíèêè: AKG 270 Sennheiser HD280 Sennheiser eH2270 Korg 05RW – ñèíòåçàòîðíûé çâóêîâîé ìîäóëü Kurzweil SP88Õ – ñèíòåçàòîð. Ñlavia NORD ELECTRO 2 - çâóêîâîé ìîäóëü (Hammond, Rhodes, Clavinet) Roland PC300 – ìèäèêëàâèàòóðà Fender Hot Rod Deluxe – ëàìïîâûé ãèòàðíûé êîìáî Hartke HA3500 – áàñîâûé óñèëèòåëü (ãîëîâà) ñ êàáèíåòàìè 2õ10”(Celestion) è 1õ15”(Celestion) Mapex Q Series – áàðàáàííàÿ óñòàíîâêà 22õ16, 10õ8, 12õ9, 14õ11, ñòîéêè ïîä ðàáî÷èé, õàé-õýò, äâå ñòîéêè ïîä òàðåëêè. Óñëóãè è öåíû: Çàïèñü èíñòðóìåíòîâ è âîêàëà – 400 ðóá/÷àñ. Ìèíèìàëüíàÿ ñòóäèéíàÿ ñåññèÿ - 4 ÷àñà. Àðåíäà ñòóäèè íà äâå ìèíèìàëüíûå ñåññèè – 350 ðóá/÷àñ. Àðåíäà ñòóäèè íà òðè ìèíèìàëüíûå ñåññèè – 300 ðóá/÷àñ. Àðåíäà ñòóäèè íà âðåìÿ áîëåå ÷åì òðè ìèíèìàëüíûå ñåññèè – 200 ðóá/÷àñ. Ñâåäåíèå, îçâó÷èâàíèå âèäåîðîëèêîâ, êîìïëåêñíûå ïðîåêòû, è äðóãèå âèäû ñòóäèéíûõ ðàáîò – öåíû äîãîâîðíûå, â çàâèñèìîñòè îò ñëîæíîñòè è îáúåìà. Ïîñòîÿííûì êëèåíòàì ïðåäîñòàâëÿþòñÿ ñêèäêè. Êîîðäèíàòû: Àäðåñ: Ëåíèíãðàäñêàÿ îáëàñòü, ã.Êèðîâñê, óë.Íàáåðåæíàÿ, 1 òåë: 8-921-956-6633 E-Mail: kvval@yandex.ru Êàçàíöåâ Âàëåíòèí Âàëåíòèíîâè÷ |
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