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Òåìà: ñòóäèÿ çâóêîçàïèñè "ÖÅÍÒÓÌ"
Âðåìÿ: 14.04.2005 17:40 |
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Ïðîôåññèîíàëüíàÿ ñòóäèÿ çâóêîçàïèñè "ÖÅÍÒÓÌ" ïðåäëîãàåò ñâîè óñëóãè : Çàïèñü..... Ñâåäåíèå.... Ìàñòåðèíã.... Èçãîòîâëåíèå ðîëèêîâ äëÿ ðàäèî.... óñëóãè èçâåñòíûõ àðàíæèðîâùèêîâ.... ñåññèîííûõ ìóçûêàíòîâ... Çâóêîâîå Îáîðóäîâàíèå Mixing Consol ‘AMEK’ MEDIA 5.1 in-line 48 êàíàëîâ, 8ux, Supertrue™ automation, Recall, Mic Pre by Mr. Rupert Neve Monitors ‘MEYER SOUND’ HD-1 'YAMAHA' NS -10M AD/DA Converters ‘RME’ AD/DA 24/96 kHz ‘RME’ DIGIFASE COMP/Rec/Players ‘Apple MAC’ G-4 Mac OS 9 TASCAM 24 tracksHARDDisc ‘FOSTEX’ DAT D-5 ‘TASÑAM’ 130 ‘SONY’ CDP-D2 ‘SONY’ MDS E-10 PreAmp ‘AVALON’ DESIGN VT-373 ëàìïîâûé ïðåàìï, êîìïð,ýêâàëàéçåð ‘TL AUDIO’ VP-5051 ëàìïîâûé ïðåàìï, êîïð,ýêâàëàéçåð Equalisers MEYER CP10 parametric equaliser ñòåðåî ýêâàëàéçåð Dinamic Virtual Mixer Dinamic 24 chenals 24 êàíàëüíàÿ äèí.îáðàáîòêà ‘AMEK’ ‘AVALON’ VT373 Ïðåàìï/Êîìïðåññîð/Ýêâàëàéçåð 1 ‘TL AUDIO’ VP-5051 Ïðåàìï/Êîìïðåññîð/Ýêâàëàéçåð 1 ‘TC ELECTRONIC’ FINALISER Ìàñòåðèíã ïðîöåññîð 1 ‘TC ELECTRONIC’ FINALISERexpress Màñòåðèíã ïðîöåññîð 2 'BSS' DPR 402 äâóõ êàíàëüíûé êîìïð/ëèìèòåð 2 ‘DBX’ 266 XL êîìïðåññîð/ãåéò 2 DRAWMER DS201 dual gate äâóõ êàíàëüíûé ãåéò 2 Effects ‘LEXICON’ 480 L Ïðîöåññîð ýôôåêòîâ 1 ‘TC ELECTRONIC’ D-TWO Ïðîöåññîð ýôôåêòîâ 1 ‘TC ELECTRONIC’ M 3000 Ïðîöåññîð ýôôåêòîâ 3 ‘EVENTIDE’ ECLIPSE Ïðîöåññîð ýôôåêòîâ 1 'LEXICON' PCM70 Ïðîöåññîð ýôôåêòîâ 2 'LEXICON' MPX G2 2 ãèòàðíûé ïðîöåññîð ýôôåêòîâ 2 Microfons ‘RODE’ NT 2 1 ‘NEUMANN’ N 147 A 1 NEUMANN U89i 7 AKG c414 b 2 AKG c414 eb 1 AUDIX D2 2 AUDIX D4 2 AUDIX D6 1 BEYER Dinamic M88NC 1 'SENNHEISER' mkh 40 1 ‘SENNHEISER’ E 604 4 ‘SENNHEISER’ MD 421 1 ‘SENNHEISER’ E 664 4 ‘SENNHEISER’ E 602 1 SHURE 565 sd 1 SHURE Beta 57 7 ‘SHURE’ SM 58 4 ‘SHURE’ BETA 56 A 3 ‘SHURE’ BETA 58 A 1 KeyBoards/Samplers Kurzweil K2600XS Keyboards 3 'Ðîÿëüíàÿ êëàâèàòóðà' ‘Roland’ XV-3080 synth modules 2 ðåêîâûé ñèíò ìîäóëü 'KURZWEIL’ K-2600 RS 1 ðåêîâûé ñèíò ìîäóëü ‘E-MU’ 4 XT ULTRA 1 ñåìïëåðíûé ìîäóëü ‘NOVATION’ SUPERNOVA 2R 1 çâóêîâîé ìîäóëü ‘KORG’ TRITON 1 Êëàâèøíûå ‘STUDIO ELECTRONICS’ ATC-1 1 çâóêîâîé ìîäóëü ‘E-MU’ AUDITY 2000 1 çâóêîâîé ìîäóëü ‘E-MU’ PROTEUS 2000 1 çâóêîâîé ìîäóëü ‘MOTU’ MIDI EXSPRESS 1 ìèäè èíòåðôåñ AKAI Z8 Sampler 2 ñåìïëåð Combo/Amp Vox AC30 'Brian May' Custom 2 Ãèò. Êîìáo ‘FENDER’ TWINAMP 1 Ãèò.Êîìáî ‘CRATE’ GX-15Y 1 Ãèò.Êîìáî ‘AMPEG’ SVT-5 PRO 1 Áàñ "ãîëîâà" ‘AMPEG’ SVT-610 HLF (cabinet) 1 Áàñ "êàáèíåò" ‘HARTKE’ HA 1200 1 Áàñ Êîìáî Guitars Ovation Acoustic Guitars 1 Àêêóñòè÷åñêàÿ ãèòàðà Burns Brian May Guitars 7 Áðàéí Ìýé ãèòàðû Brian May treble boosters 2 Ãèòàðíûå ïåäàëè ÍÀØÈÌÈ ÊËÈÅÍÒÛ: "×ÀÉ Â ÄÂÎÅÌ" "ÏÀÑÊÀËÜ" "ÐÅÂÎËÜÂÅÐÛ" "ØÒÀÐ" ìþçèêë "WWRY" (QUEEN) Ë.ÂÀÉÊÓËÅ È.ÍÈÊÎËÀÅ äæèíãëû è ðåêëàìà ÐÓÑÑÊÀß ÌÅÄÈÀ ÃÐÓÏÏÀ (ÐÓÑÑÊÎÅ ÐÀÄÈÎ 1,2 ÄÈÍÀÌÈÒ,ÌÎÍÒÅÊÀÐËÎ) äæèíãëû è ãèìí ÐÀÄÈÎ ÏÎÏÑÀ íàõîäèìñÿ â öåíòðå Ìîñêâû óë.Ïîãîäèíñêàÿ ä.8 êîðï.2 ì.Ôðóíçèíñêàÿ ò.245 04 12 ì.8 926 2135691 Âÿ÷åñëàâ |
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