| Àâòîð | Òåìà: Àðåíäà çâóêîâîãî, ñâåòîâîãî îáîðóäîâàíèÿ. Êà÷åñòâåííûé çâóê JBL ñåðèè SRX, VRX. Ñâåò ìèðîâûõ áðåíäîâ |
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Âðåìÿ: 14.03.2014 14:08 | ||||||||||||||||
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Íèæíèé Íîâãîðîä
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ÃÎÒÎÂÛÅ ÐÅØÅÍÈß: ÊÎÌÏËÅÊÒ¹1 Îïèñàíèå: Êîìïëåêò ðàññ÷èòàí íà çàë âìåñòèìîñòüþ äî 80 ÷åëîâåê. Êîëîíêè: Mackie SRM450 (àêòèâíûå, 2 øò.) Ïóëüò: Behringer 1204 fx-pro ( 8 êàíàëîâ ) Ðàäèîìèêðîôîíû: AKG WMS40 ( 1 øò.) Ñòîéêè òðåíîãè ïîä êîëîíêè: Quik Lok ( 2 øò.) Ñòîéêè ïîä ìèêðîôîíû ( 2øò.) CD-ïðîèãðûâàòåëü: Numark CDN450 èëè íîóòáóê ( 1 øò.) Îáùàÿ ìîùíîñòü: 800 Âò. Öåíà: 5000 ðóá. ñ ðàáîòîé òåõíèêà, ñ äîñòàâêîé ïî ãîðîäó. ________________________________________________ ÊÎÌÏËÅÊÒ¹2 Îïèñàíèå: Êîìïëåêò ðàññ÷èòàí íà çàë âìåñòèìîñòüþ äî 150 ÷åëîâåê. Êîëîíêè: Mackie SRM450 (àêòèâíûå, 2 øò.) Ñàáâóôåð: Mackie SWA 1501 (àêòèâíûé, 1 øò. ) Ïóëüò: Behringer 1204 fx — pro ( 8 êàíàëîâ ) Ðàäèîìèêðîôîíû: AKG WMS 40 ( 1øò.) Ñòîéêè òðåíîãè ïîä êîëîíêè: Quik Lok ( 2 øò.) Ñòîéêè ïîä ìèêðîôîíû ( 2øò.) CD — ïðîèãðûâàòåëü: Numark CDN450 èëè íîóòáóê ( 1 øò.) Îáùàÿ ìîùíîñòü: 1500 Âò. Öåíà: 6000 ðóá. ñ ðàáîòîé òåõíèêà, ñ äîñòàâêîé ïî ãîðîäó. __________________________________________________ ÊÎÌÏËÅÊÒ¹3 Îïèñàíèå: Êîìïëåêò ðàññ÷èòàí íà çàë âìåñòèìîñòüþ äî 230 ÷åëîâåê. Ñàáâóôåðû: JBL SRX 718S (2 øò.) Ñàòåëëèòû: JBL SRX 712M (2 øò.) Ìîíèòîðû: JBL SRX 712M (2øò.) Óñèëèòåëè: Lab Gruppen FP3400 (2øò.) — ïîðòàëüíûå Lab Gruppen FP3400 (1øò) — ìîíèòîðíûé Ïóëüò: Soundcraft EPM8 (12 êàíàëîâ) Îáðàáîòêà: Yamaha SPX90 Ðàäèîìèêðîôîíû: Shure SLX24/BETA ( 2 øò.) Ìèêðîôîíû ïðîâîäíûå: Shure SM 58 ( 3 øò.) Ñòîéêè ïîä ìèêðîôîíû (5 øò.) Ýêâàëàéçåð: DBX 2231 (2 øò.) CD-ïðîèãðûâàòåëü: Numark CDN450 èëè íîóòáóê (1øò.) Îáùàÿ ìîùíîñòü: 2,3 êÂò Öåíà: 15000 ðóá. ñ ðàáîòîé òåõíèêîâ, äîñòàâêîé ïî ãîðîäó. __________________________________________________ _ ÊÎÌÏËÅÊÒ¹4 Îïèñàíèå: Êîìïëåêò ðàññ÷èòàí íà çàë âìåñòèìîñòüþ äî 450 ÷åëîâåê. Ñàáâóôåðû: JBL SRX 718S (4 øò.) Ñàòåëëèòû: JBL VRX 932LA (4 øò.) Ìîíèòîðû: JBL SRX 712M (2 øò.) Óñèëèòåëè: Lab Gruppen FP3400 (2øò.) — ïîðòàëüíûå Lab Gruppen FP3400 (1øò) — ìîíèòîðíûé Ïóëüò: Soundcraft M12 (16 êàíàëîâ) Îáðàáîòêà: Yamaha SPX90 (Hall) Îáðàáîòêà: T.C.Electronic D-TWO (Delay) Ðàäèîìèêðîôîíû: Shure SLX24/BETA (2 øò.) Ìèêðîôîíû ïðîâîäíûå: Shure SM 58 (3 øò.) Ñòîéêè ïîä ìèêðîôîíû (5 øò.) Ýêâàëàéçåð: DBX 2231 (2 øò.) CD-ïðîèãðûâàòåëü: Numark CDN450 èëè íîóòáóê (1øò.) Îáùàÿ ìîùíîñòü: 6 êÂò Öåíà: 20000 ðóá. ñ ðàáîòîé òåõíèêîâ, äîñòàâêîé ïî ãîðîäó. _________________________________________________ ÊÎÌÏËÅÊÒ¹5 Îïèñàíèå: Êîìïëåêò ðàññ÷èòàí íà çàë âìåñòèìîñòüþ äî 900 ÷åëîâåê. Ñàáâóôåðû: JBL SRX 718S (8 øò.) Ñàòåëëèòû: JBL VRX 932LA (4 øò.) Ìîíèòîðû: JBL SRX 712M (4 øò.) Óñèëèòåëè: Lab Gruppen FP3400 (3 øò.) — ïîðòàëüíûå Crown Macrotech 2400 (2 øò.) — ìîíèòîðíûå Ïóëüò: Allen&Heath ML3000 (36 êàíàëîâ) Îáðàáîòêà: Yamaha SPX90 (Hall) Îáðàáîòêà: T.C. Electronic (Delay) Ìèêðîôîíû ïðîâîäíûå: Shure SM 58 (5 øò.) Ñòîéêè ïîä ìèêðîôîíû (5 øò.) Ñòîéêà êëàâèøíàÿ (1 øò.) Ýêâàëàéçåð: DBX 2231 (3 øò.) Êîìïðåññîð: DBX 166XL (3 øò.) Áàðàáàíû TAMA Superstar Hyper-Drive . Ãèòàðíûé êîìáèê: Fender Deluxe Reverb Amp Ãèòàðíûé óñèëèòåëü: Marshall 2000 Ãèòàðíûé êàáèíåò: Marshall 1960A Áàñîâûé óñèëèòåëü: Ampeg SVT 4 PRO Áàñîâûé êàáèíåò: Ampeg SVT410HLF Di—box (4øò.) Îáùàÿ ïîðòàëüíàÿ ìîùíîñòü: 9 êÂò Öåíà: 40000 ðóá. ñ ðàáîòîé òåõíèêîâ, ñ ðàáîòîé çâóêîðåæèññ¸ðà, äîñòàâêîé ïî ãîðîäó.  www.skandi-music.ru |
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