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Òåìà: Äàéòå ðóññêèé ìàíóàë äëÿ AmliTube 2
Âðåìÿ: 11.10.2007 17:10 |
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S-Pb Êåëüòñêàÿ Àðôà  
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Ïîæàëóéñòà! | |
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Òåìà: Re: Äàéòå ðóññêèé ìàíóàë äëÿ AmliTube 2
Âðåìÿ: 11.10.2007 17:54 |
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åùå íå ïåðåâåëè..åñòü òîëüêî íà èíãëèøå | |
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Òåìà: Re: Äàéòå ðóññêèé ìàíóàë äëÿ AmliTube 2
Âðåìÿ: 12.10.2007 16:24 |
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à ÷¸ òàì íå ïîíÿòíî-òî? èíòåðôåñ-òî äëÿ ðåá¸íêà ñäåëàí. | |
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Òåìà: Re: Äàéòå ðóññêèé ìàíóàë äëÿ AmliTube 2
Âðåìÿ: 14.10.2007 18:31 |
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Ìîñêâà Âñ¸, ÷òî ñâÿçàíî ñî çâóêîì 
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Berserker Ìåòîäîì íàó÷íîãî òûêà ìîæíî èçó÷èòü çà ïîë÷àñà. 
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Òåìà: Re: Äàéòå ðóññêèé ìàíóàë äëÿ AmliTube 2
Âðåìÿ: 14.10.2007 21:43 |
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Ìîñêâà MM SR5, PRS SC'01, MM Silhouette
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×òî íå ïîíÿòíî ïèøè ñóäû... | |
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Òåìà: Re: Äàéòå ðóññêèé ìàíóàë äëÿ AmliTube 2
Âðåìÿ: 15.10.2007 14:10 |
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ðåáçà, åìó ñòàëî ñòûäíî, îí íå îòâå÷àåò! âîò êàêîâà ñèëà îá÷åñòâåííîãî ìíåíèÿ!! 
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Òåìà: Re: Äàéòå ðóññêèé ìàíóàë äëÿ AmliTube 2
Âðåìÿ: 16.10.2007 15:50 |
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S-Pb Êåëüòñêàÿ Àðôà
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ß õîòåë ïðî÷èòàòü ïðî êîìáèêè, ìèêðîôîíû è îñòàëüíûå ðåàëüíûå óñòðîéñòâà îò òóäà. À Ampeg ïåðåâåëè? |
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Òåìà: Re: Äàéòå ðóññêèé ìàíóàë äëÿ AmliTube 2
Âðåìÿ: 16.10.2007 16:17 |
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íó òîãäà ïîíÿòíî. íó âîîáùå, íå ñìîòðÿ íà òî, ÷òî ïëàã-èí ïðèêîëüíûé, êîìáîâ è âñåé ìóéíè òàì íå àõòè ìíîãî. áëèí, ïåðåâîäèòü íå îõîòà, ìîæ êòî è çàïàðèëñÿ íà ýòó òåìó. | |
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Òåìà: Re: Äàéòå ðóññêèé ìàíóàë äëÿ AmliTube 2
Âðåìÿ: 16.10.2007 16:40 |
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Îáðåçàííûå ïåéñû Âûòÿãèâàþ ïèñüêó äÿòëà è áðåí÷ó 
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> êîìáîâ è âñåé ìóéíè òàì íå àõòè ìíîãî à òàì îíè âñå èìåþò ïðîòîòèïû, òîëüêî èçêàâåðêàíû íàçâàíèÿ  ãèòàð ðèã 3 òàì âàùå ïðàêòè÷åñêè âñå íà ïîâåðíîñòè 
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ñ äâåòûùè
 ãî |
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Òåìà: Re: Äàéòå ðóññêèé ìàíóàë äëÿ AmliTube 2
Âðåìÿ: 16.10.2007 17:20 |
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äà íåò, òàì åñòü ðàñøèôðîâêà ÷òî ê ÷åìó îòíîñèòñÿ, òîëüêî ýòî íàéòè íàäî, à ÷åëîâåê àíãëèéñêîãî íå çíàåò. âîò òàêàÿ çàïàðà. | |
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Òåìà: Re: Äàéòå ðóññêèé ìàíóàë äëÿ AmliTube 2
Âðåìÿ: 16.10.2007 17:22 |
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ïóñòü ó÷èò..ïðèãîäèòñÿ) | |
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Òåìà: Re: Äàéòå ðóññêèé ìàíóàë äëÿ AmliTube 2
Âðåìÿ: 18.10.2007 13:36 |
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S-Pb Êåëüòñêàÿ Àðôà
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Äà çíàþ. Òîëüêî íå íà ëåòó. Íàäî åù¸ íàéòè ÷òî èìåííî ïåðåâîäèòü, ïîñèäåòü, ïîìîçãîâàòü. À âñ¸ ïåðåâîäèòü íè âðåìåíè íè ñèë íå õâàòèò. | |
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Òåìà: Re: Äàéòå ðóññêèé ìàíóàë äëÿ AmliTube 2
Âðåìÿ: 18.10.2007 14:21 |
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âîò ïîñòàâü, õîòü íåìíîãî ïîìîæåò http://soft5x.com/2006/11/09/IM_Translator_3_0.html |
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Òåìà: Re: Äàéòå ðóññêèé ìàíóàë äëÿ AmliTube 2
Âðåìÿ: 18.10.2007 15:07 |
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S-Pb Êåëüòñêàÿ Àðôà
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Ñïàñèáî êîíå÷íî, íî ó ìåíÿ åñòü XTranslator Promt Family Gold (èëè êàê òî òàê), íî òîëüêî ìàøèííûé ïåðåâîä ýòî ñàìè çíàåòå ÷òî. ß ìîãó ïîòîì âûëîæèòü öèòàòû, óðæ¸òåñü. Îáû÷íî â òåõíè÷åñêèõ òåêñòàõ ïðèíöèïèàëüíî âàæíûå âåùè òåðÿþòñÿ èëè èçìåíÿþò ñìûñë. | |
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Òåìà: Re: Äàéòå ðóññêèé ìàíóàë äëÿ AmliTube 2
Âðåìÿ: 18.10.2007 15:54 |
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íó òîãäà îñòàåòñÿ ïîòèõîíüêó ó÷èòü ÿçûê óäà÷è
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Òåìà: Re: Äàéòå ðóññêèé ìàíóàë äëÿ AmliTube 2
Âðåìÿ: 19.10.2007 10:21 |
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òàì íà ñàéòå ðàñøèôðîâêà åñòü. ïîñìîòðè íà amplitube.comAmerican Tube Clean 1 Based on Fender® SuperReverb®* This amp is modeled after a classic American guitar amp. This amp is great for clean to dirty sounds, making ideal for clean and crunchy rhythm, rock, country, blues, and anything else requiring a clean amp capable of getting a little dirty when the music calls for it. American Tube Clean 2 Based on Fender® DeLuxeReverb®* This model features yet another classic American amplifier. Unlike the American Tube Clean 1, this model is a smaller combo amp. This amp delivers a clean yet warm tone. Modern Tube Lead Based on MesaBoogie® Dual Rectifier®* This amp is a model of one of the leaders in hard, driven rock tones made today. Capable of searing leads and heavy crunch, this amp has been rectified to create a modern rock tone that is hard to beat. American Tube Vintage Based on Fender® Bassman®* This classic American amplifier was at first designed to be a bass amp, but later became one of the most popular American guitar amps ever made. Great for clean tones, it is also versatile in a variety of music genres and playing styles. Tube Vintage Combo Based on Supro®* This is a model of a small vintage amplifier that was basic in design but big in tone. This model is simple but sweet. British Tube 30TB Based on Vox® AC30* This is a model of a legendary british amplifier which is one of the most widely recognizable and popular amps of all time. Throughout its life, its legendary tone helped to put many of rocks founding fathers (including 4 guys from Liverpool) on the map and has been a highly sought after sound that is still heard on many albums today. British Tube Lead 1 Based on Marshall® JCM800* Made popular by the hard rockers of the 80’s this British guitar amp has remained a prized tone for many of today’s guitar players. Able to crank out great tube saturated tone and with ease this model is a go to amp for a variety of heavy rock guitar sounds. British Tube Lead 2 Based on Marshall® JCM900* The younger sibling to the British Tube Lead 1, this model is capable of great rock tone, leads, and heavy crunch. While grittier and a little more aggressive, it still has the classic tone that has made this family of amps a household name in Rock Guitar. Modern Hi-Gain Based on the classic AmpliTube model, this amp features LOTS of gain for that over the edge distortion sound. Similar to modern tube lead sound in character, Modern Hi-Gain provides an additional take on that type of sound. Solid State Clean This amp model is clean. It provides a very uncolored signal to the guitar, perfect for jazz. It could be compared to amps like the Roland® Jazz Chorus™ in nature, so ideal for sparkling clean tones. Solid State Fuzz Based on AmpliTube 1’s fuzz amp, this model is a very distinct and distorted sound, reminiscent of 60’s fuzz sounds. Solid State Lead This model features a precise solid state lead sound. It has a darker tone and excels at high gain lead tones. It is very suitable for hard rock leads and it’s gain is very stable, making it easy to use at low volume levels. THD BiValve Based on THD® BiValve* This is a model of the THD® BiValve. This modern boutique amplifier has become very popular on the stage and in the studio. Using a single ended class A design it is capable of wide expanse of tone. From the clean to the crunchy to the heavily saturated, the THD BiValve can create all these tones with ease. Bass PreAmp This model features a solid state bass preamp, EQ, and a solid state power amp module. It cleans up beautifully and drives just as hard. 7 power-amps Class A EL84 Classic British 30W Class A no-feedback power amp stage. Extremely detailed and musical, can be totally clean only at moderate Volume levels. When clean it’s very present and transparent, when pushed it magically starts adding that unmistakable 60s growl. Class A Single Ended Classic small-power old style power amp. This will sound clean only at very low Volume levels. When turned up it will have a magic growl quality that’s only possible with these particular power amp stages. 100W EL34 High power British style power amp. Very tight and clean up to high levels, typically used in combination with high gain preamps because it will not make preamp driven power chords dirty even at relatively high Volume levels. 50W EL34 Typical British 50W head power amp. Will deliver an amazingly musical crunchiness when driven to the red area. Pop rock crunch rhythm parts will sound perfect if driven by this power amp pushed to its limits instead of using a preamp’s saturation. 100W 6L6 The tightest power amp in AT2.0. Very fast and clean. Use this for crystal clear clean sounds, or in conjunction with an extreme power lead preamp for metal sounds. 50 W 6L6 The softer version of 100W 6L6, can deliver a very nice growl when pushed to its limit. Solid State All transistor power amp stage, very solid and clean. Not very musical when pushed to the limit, just like the hardware! 16 Cabinets 1x6 Small Combo Based on Fender® small solidstate* 1x8 Combo Modern Based on MesaBoogie® 1x8 SubwayRocker®* 1x12 Combo Based on Marshall® 1x12 Valvestate® combo* 1x12 Open Modern Based on THD® Pitbull® 1x12* 1x12 Open Vintage Based on Fender® DeLuxe® 1x12* 2x12 Closed Vintage Based on Marshall® 2x12 Greenbacks* 2x12 Open Vintage Based on Vox® AC30 Top Boost* 4x10 Closed Modern Based on Marshall® 4x10* 4x10 Open Vintage Based on Fender® SuperReverb® 4x10* 4x12 Closed Vintage 1 Based on Marshall® 4x12 70's* 4x12 Closed Modern 1 Based on Marshall® 4x10s* 4x12 Closed Modern 2 Based on MesaBoogie® 4x12* 4x12 Closed Vintage 2 Based on Marshall® 4x12 Bottom stack* 1x15 Bass Vintage Based on Ampeg® B15 15"* 4x10+tw Bass Based on SWR® Goliath® bass cab* 1x12 Bass Based on Custom Bass 1x12* 6 Microphones Dynamic 57 Based on Shure® SM57* This is a model of the popular small diaphragm dynamic mic. Its bright, edgy sound has made it a widely used guitar amp mic. Dynamic 421 Based on Sennheiser® MD421* Probably the second most popular dynamic mic to use on guitar amps, this model provides a equally pleasing sound, but is a warmer than the 57. Dynamic 441 Based on Sennheiser® MD441* This model has a flatter frequency response than the other dynamic mics. This mic is highly regarded as a guitar mic and used widely in studios all over the world. Condenser 87 Based on Neumann® U87* This is a model of one of the most popular large diaphragm mics ever. It can be found in any large recording studios mic locker. Because of it’s excellent frequency response curve, the 87 has become the go to mic when needing a clean, flattering sound. Condenser 84 Based on Neumann® KM84* No microphone collection would be complete without a great small diaphragm condenser mic. This model is based on the standard for small diaphragm mics. As with any good small condenser mic, the 84 provides a clean clear picture of the guitar tone. Condenser 414 Based on AKG® C414* The Condenser 414 is modeled after another highly regarded large diaphragm condenser microphone. It is a bright, open microphone that will flatter big full tones and will also blend beautifully when combined with another cabinet/mic setup.Chorus-1 Based on Boss® CE-1* A model of a classic bucked-brigade analog Chorus/Vibrato unit. It provides both analog Chorus and analog Vibrato effects, when in Chorus mode the modulation will be lush and slow, when in Vibrato effect the modulation will be faster and more noticeable. Phazer10 Based on MXR® Phaser 100* A model of a classic analog multimode Phaser stomp box. Chorus This chorus is modeled after a classic Digital Chorus stomp box. Flanger This stomp box is a model of a classic Flanger effect. Opto-Tremolo Based on Fender® Opto-Tremolo* This model is based on a vintage Opto-Tremolo effect. Delay Effects Echoman Based on Electro-Harmonix® Memory Man* A model of a classic bucked-brigade analog echo/delay (with modulation) stomp pedal effect. Delay This model is based on a traditional digital delay stomp pedal. Filter Effects Envelope Filter This stomp is an advanced filter effect. It uses the envelope of the incoming signal to control a synthesizer style filter. It is capable of sounds ranging from very simple auto wah effects to extreme never before heard filtering effects. LFO Filter This complex stomp effect uses an LFO to modulate the frequency of its filter. With the included BPM sync this is a very useful effect for creating interesting, moving guitar parts with a minimum amount of trouble. Wah This effect is modeled after the classic wah pedal used by many of the top players from the 60’s and 70’s. In addition to the wah effect it also features an auto function, allowing it to be used easily without an external controller. This is a new exciting feature. Pitch Effects Octav Based on Boss® Octaver* This stomp effect is modeled after a classic dual voice octave pedal. It will produce two additional sounds, one and two octaves below the direct signal. Pitch Shifter This effect shifts the pitch of the incoming signal. This new pitch shifted signal is blended with the original sound to create harmony guitar leads or other types of dual pitch effects. Harmonator This effect is a 3 voice digital harmonizer effect. More than just a pitch shifter, this pedal will create 3 separate harmony voices with independent interval values based on a musical scale. Simply select the scale to use, select the voice and the desired pitch and play. The harmonized notes will be according to the selected scale. Distortion Effects Fuzz Age Based on Arbiter® Fuzz Face* This effect is modeled after a classic germanium transistor fuzz stomp effect. Typically used on lead guitar, this effect has remained a popular distortion effect throughout the years. Overscream Based on Ibanez® Tube Screamer* This is a model of a classic overdrive/distortion pedal which has become the go to overdrive pedal for some of the most influential guitar players of all time. It’s basic controls make it easy to dial in the exact sound you want. Overdrive A model of a classic overdrive stomp effect. Crusher This model alters the sound of the input signal by changing the sample-rate, cutoff frequency and by distorting it. This effect can produce very aggressive distorted sounds, more pronunciated than overdrive stompboxes. The Low pass filter is very creative when combined to high distortion levels. Dynamics Effects DCOMP Based on MXR® Dynacomp* This effect is modeled after a vintage compression stomp pedal. Compressor This effect is a model of a classic high end compressor. It is capable of mild compression or intense signal slamming, and does it all with a tremendous amount of finesse. EQ Effects Graphic EQ This model is a clean, highly effective 1 octave graphic equalizer, capable of fine tuning and dialing in that perfect tone. It is also very useful when you need to “push” the signal for the next stompbox or amp. Other Effects Volume This model is a traditional volume pedal. Rack effects are stereo effects, inserted at the end of the AmpliTube 2 chain. Up to 8 simultaneous rack effects can be used at once within the plug-in. Included are: hi-quality parametric EQs, reverbs, delays, choruses, compressors, pitch-shifters, harmonizer, stereo-enhancers, rotary speakers and more… Modulation Effects Digital Flanger This model of a digital flanger can create a metallic modulated sound. Analog Chorus This classic analog stereo chorus model adds depth and space to the input signal. It can also be used as a vibrato effect. Digital Chorus This modeled digital chorus effect creates a clear articulate chorus effect. Like the analog chorus, this effect adds depth and space to the input signal, but adds a different color to the overall signal. Rotary Speaker This effect is a model of a rotary speaker cabinet. Rotary speaker cabinets create a lush vibrato/chorus effect and add a tremendous amount of depth to the sound. Delay and Reverb Effects Digital Delay This advanced delay modeled effect can add a variety of depth to the sound, by providing five different delay modes. The delay can also be synced to the host tempo providing even more flexibility. Digital Reverb This digital reverb is capable of adding small amount of space to a signal or creating a huge hall around the instrument. Pitch Effects Harmonator The Harmonator is an advanced harmonizing effect with three separate voices, each with independent harmony, level and pan. By entering the key and scale that the instrument is playing, the harmonator analyzes the input signal and track the three independent voices to the correct music key and scale. Pitch Shifter This pitch shifting effect creates an independent harmony voice that can be blended with the original signal to create harmony lead parts and duet type guitar lines. EQ and Dynamics Effects Parametric EQ With its three totally independent EQs, this parametric EQ provides enough power to sculpt the perfect guitar tone or surgically enhance and alter any signal sent through it. Tube Compressor This compressor was modeled after a classic tube compressor. It is a very versatile, smooth compressor, and can add great color to the signal. Stereo Enhancer The stereo enhancer model widens and narrows the stereo image. |
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