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Òåìà: ðýãòàéì
Âðåìÿ: 24.01.2007 13:11 |
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Óâàæàåìûå ãîñïîäà êëàâèøíèêè! Ïîìîãèòå ñ ðýãòàéìîì. Åñòü òàì ïðèåì "ñòðàéò". Êàê òî÷íî îí èãðàåòñÿ? È âîîáùå, áóäó ïðèçíàòåëåí çà ëþáîé ñîâåò ïî òåìå. | |
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Òåìà: Re: ðýãòàéì
Âðåìÿ: 24.01.2007 14:40 |
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Òâî¸ çàòðóäíåíèå(Strait) ïî àíãëèéñêè çàòðóäíåíèå)ïðîñòî ëþáîâàíèå ñâîåé ýðóäèöèåé. Íåò òàêîãî ïðè¸ìà â ðýãòàéìå. Íó äàæå åñëè êòî è "ïðèòÿíåò çà óøè"ýòîò øèðîêîðàñïîñòðàí¸ííûé â ðàçíûõ îáëàñòÿõ òåðìèí è êàê òî ïî ñâîåìó îáúÿñíèîò åãî,òî ÷òî ýòî òåáå äàñò? Çíàíèé? Ñòàíåøü ëó÷øå èãðàòü? ×ÒÎ? 
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Òåìà: Re: ðýãòàéì
Âðåìÿ: 24.01.2007 14:44 |
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Õîðîøî. Ïðèíÿòî. Òîãäà êàêèå åñòü? Èíôîðìàöèè ìíîãî íå áûâàåò. À èãðàòü ñòàíó ëó÷øå îáÿçàòåëüíî. | |
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Òåìà: Re: ðýãòàéì
Âðåìÿ: 24.01.2007 16:05 |
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Óêîëîë òåáÿ áîëüíî è óñëûøàë òî,÷òî êîãäà-òî ñêàçàë ñàì â ìîëîäîñòè â îòâåò íà ïîäîáíîå:" À èãðàòü ñòàíó ëó÷øå îáÿçàòåëüíî" Âîò òàê íà îáèäàõ è âûðîñ è íàó÷èëñÿ ÷åìó-òî. Åñòü îò íèõ ïîëüçà áîëüøàÿ. À ìåíÿ äóðàêà èçâèíè. Ïàðåíü ïîõîæå òû ñòîÿùèé è ñ õàðàêòåðîì. Óñïåõîâ. Äà,êñòàòè! Òû ÷òî íà áàíäæî èãðàåøü(ñóäÿ ïî âîïðîñó)? |
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Òåìà: Re: ðýãòàéì
Âðåìÿ: 24.01.2007 16:30 |
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Ñîâñåì íåìíîãî èãðàþ, íå ñòîèò è óïîìèíàòü. Ïðîáîâàë èãðàòü íà ìíîãîì, íî íè÷åì êðîìå êëàâèø ïî-íàñòîÿùåìó óâëå÷üñÿ íå ïîëó÷èëîñü. À çà äîáðûå ñëîâà ñïàñèáî. Óäà÷è! | |
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Òåìà: Re: ðýãòàéì
Âðåìÿ: 25.01.2007 14:26 |
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"Êëàâåøíåã"
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Èìååòñÿ ââèäó íàâåðíîå stide ïèàíî: The pianist's left hand may play a four-beat pulse with a bass note or tenth interval on the first and third beats, and a chord on the second and fourth beats, or an interrupted bass with 3 single notes and then a chord while the right hand plays melodies and chords. The over simplistic name "stride" comes from the "striding" left-hand movement. Pedal technique further varies the left hand sound. Stride is one of the most difficult styles of jazz piano playing, takes years to master, and is often confused with other jazz piano where the left hand alternates. One does not play "some" stride, but plays a full several minute piece in the idiom, with many variations along the melodic line. Understanding of multiple tension and release is a must. Íó ýòî òèïà ìîùíîãî àêêîìïàíèìåíòà áàñ-àêêîðä, áàñ-àêêîðä. Ïðè÷¸ì ïàëüöû â àêêîðäàõ ðàñòÿãèâàþòñÿ íà îêòàâó ñ òåðöèåé. Âîîáùå ýòî âñ¸ î÷åíü òðóäî¸ìêèé ñïîñîá èãðû, êàê ïèøóò. Ëó÷øå áëþçîì äëÿ íà÷àëà ïîçàíèìàòüñÿ. |
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Òåìà: Re: ðýãòàéì
Âðåìÿ: 25.01.2007 18:09 |
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Äéòå íîòû ðåãòàéìà Ïëç! æåëàòåëüíî äëÿ 2, à íå äëÿ 4 ðóê. Ñàì ïîäîáðàë, íî õî÷åòñÿ èãðàòü îðèãèíàë | |
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Òåìà: Re: ðýãòàéì
Âðåìÿ: 25.01.2007 18:34 |
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Ðèãà Korg TR-76, Karma  
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Êðàñèâåíüêèå, òàêèå http://library.msstate.edu/content/templates/?a=1037 |
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Ñîáðàëñÿ â ïîåçäêó? Íàïèøè ñåáå http://www.SpisokVDorogu.ru
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Òåìà: Re: ðýãòàéì
Âðåìÿ: 25.01.2007 18:47 |
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"Êëàâåøíåã"
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Âîò òóò Äæîïëèí âðîäå åñòü â 4 ðóêè, ìîæåò ÷åãî åù¸. http://notes.tarakanov.net/p2.htm Âîîáùå íîòíûõ áèáëèîòåê ìíîãî â ñåòè. À åñëè óæ õî÷åòñÿ ñåðü¸çíî ðåãòàéìó, íàâåðíîå èìååò ñìûñë çàêàçàòü áóðæóéñêîå ðóêîâîäñòâî êàêîå-íèòü. |
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Òåìà: Re: ðýãòàéì
Âðåìÿ: 25.01.2007 18:51 |
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Ñïàñèáî çà ïîäñêàçêó. Ïî ïîâîäó áëþçà òîæå èùó ìàòåðèàëû, õîòü è èãðàþ óæå. Õî÷åòñÿ ðàçíîîáðàçèòü òåõíèêó. À íàñ÷åò íîò...  ñåòè ðýãòàéìîâ ìíîãî. Ó Òàðàêàíîâà íà ñàéòå åñòü îòëè÷íûé ñáîðíèê êëàññè÷åñêèõ ðýãòàéìîâ Ñêîòòà Äæîïëèíà. Ïðàâäà, âåñèò ïÿòü ìåòðîâ, íî îíî òîãî ñòîèò. | |
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Òåìà: Re: ðýãòàéì
Âðåìÿ: 25.01.2007 21:14 |
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Âèêòîð Áû÷êîâ
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Õîðîøèå êíèãè ïî äæàçó æèâóò íà http://www.jazz-drive.org/jazz/cgi-bin/public.pl The_Jazz_Real_Book_(Sax_-_Eb) Pepi_Taveira_-_Jazz_Principales_Estilos Mark_Levine_-_The_Jazz_Piano_Book 150_American_Jazz_Standards_Piano_Jazz The_Real _Book_of_Jazz_Volume_II Beatles_for_Jazz_Piano Best_Of_Jazz_Guitar_(Signature_Licks_Series) Bill_Bay_-_Mel_Bay's_Jazz_Sax_Studies Real_Jazz_Book_(Hal_Leonard) Brazilian_Jazz_Real_Book Claude_Bolling_-_Suite_For_Cello_&_Jazz_Piano_Tr io_(Cello) Coryel_Jazz_Guitar_Creative_Comping_Soloing_and_ Improv Dixieland-The_Firehouse_Jazz_Band-Dixieland_Fake _Book Drums_-_Jazz_Drum_Kit_Lessons Duke_Ellington_for_Jazz_Guitar_Partituras_(15_Se nsational_Songs) How_To_Play_Jazz_And_Improvise_(Guitar_Book) Improvising,_Jazz_Piano Jazz-Georg_Telemann_12_Fantasias_For_Violin_Solo Jazz_Fake_Book Jazz_Guitar_Classics_-_Standard_Notation_And_Tab jazz_jobim_felicidade Jazz_Riffs_For_Piano Jazz_Saxophone_Concepts_(Kensey) Jazz_Studio_-_Improvisation_For_Bass_(Kensey) Jim_Chapin_-_Drum_book_-_jazz Jim_Stinnett_-_Creating_Jazz_Bass_Lines Joe_Pass_Jazz_Guitar_Chords John_Coltrane_-_Patterns_(1999) Lee_Evans_synocopation_piano_(rus) Lenny_Breau_-_Fingerstyle_Jazz Little_Jazz_-_Trumpet_Giant Mark_Levine_-_Jazz_Theory MartinTaylorGuitarMethod Piano_Lesson_-_Dave_Brubeck_-_Points_On_Jazz Ron_Carter-Building_Jazz_Bass_Lines Sax-Comprehensive_Jazz_Studies_&_Exercises_-_Eri c_Marienthal Sheet_Music_-_A_Creative_Approach_To_Jazz_Piano_ Harmony Complete_Jazz_Guitar_Method_Mastering_Chord-Melo dy The_Jazz_Piano_Book_Complete_by_Mark_Levine The_Jazz_Real_Book_II_(Sax_-_Eb) The_Real_Book_Of_Jazz_-_Volume_1_(nuty_512_str) The_Real_Book_of_Jazz_Volume_III_(sheet_music) Tony_Genge_-_The_Jazz_Piano_Solos_of_Red_Garland Us_Army_Music_Course_-_Jazz_Harmony_Ii_Mu3322 Wes_Montgomery_Jazz_Guitar_Solos ïîñìîòðèòå è çäåñü http://www.abrahamespinosa.com/partituras2.htm â ðàçäåëå "Real Book" |
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