| Àâòîð |
Òåìà: KORG KRONOS
Âðåìÿ: 13.01.2011 16:51 |
|
|---|---|---|
|
Âîò îí,çàìåíèòåëü Îàçèñà!) |
|
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 16:59 |
|
|---|---|---|
|
|
||
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 17:00 |
|
|---|---|---|
|
Ìîñêâà Moog, Nordlead, Ion, BassStation 
|
Âûãëÿäèò âíóøèòåëüíî 
|
|
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 17:02 |
|
|---|---|---|
|
|
È ÷¸ðíûé...) êàê XF...) | |
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 17:19 |
|
|---|---|---|
|
|
KRONOS Highlights • Next-generation workstation with enhanced performance features • 9 Sound engines, each offering a unique sound-creation technology (see list below) • 16-part Combis allow all engines to function together in perfect harmony; Dynamic Voice Allocation keeps the polyphony high. • Available with 61, 73 or 88 keys 73 and 88 key models feature Korg’s finest RH3 Graded Hammer Action 61 key model borrows the responsive synth action from the Korg M3-61 • Comprehensive interface, based around a new large 8” TFT TouchView™ display • Virtual Memory Technology (VMT), aided by a fast SSD (Solid State Disk) provides high polyphony and massive, ultra-long, and unlooped samples; offering unheard of performance from a hardware instrument • Smooth Sound Transition: this often-requested feature allows held or sustained notes to keep sounding when changing sounds or modes. • Set List mode: Organize the Programs, Combis, and Songs you need to perform your set in a single, easy-to-select screen – including performance notes! • Use up to 16 premium-quality effects at once; individual effects rival dedicated units - 12 Insert effects - 2 Master effects - 2 Total effects • On-board sequencer offers 16 MIDI tracks + 16 audio tracks (24-bit, 48kHz recording quality) • Open Sampling System – Instant sampling and resampling from any mode: Program, Combination or Sequencer. • Sophisticated KARMA® technology generates infinitely variable performance-driven phrases, musical effects, and backing tracks to catalyze your creativity • Expanded Drum Track for play-along grooves and inspiration • Signature sounds created with guidance from world class musicians KRONOS Specifications [System] System: KRONOS Keyboard: 88-key: RH3 (Real Weighted Hammer Action 3) 73-key: RH3 (Real Weighted Hammer Action 3) 61-key: Natural Touch Semi Weighted [Tone Generator] Synthesis Types: 9 SGX-1 Premium Piano (Acoustic Piano) EP-1 MDS Electric Piano (Electric Piano) HD-1 High Definition Synthesizer (PCM Virtual Memory Technology) AL-1 Analog Synthesizer (Analog Modeling) CX-3 Tonewheel Organ (Tonewheel Organ Modeling) STR-1 Plucked String (Physical Modeling) MOD-7 Waveshaping VPM Synthesizer (VPM Synthesis) MS-20EX (CMT Analog Modeling) PolysixEX (CMT Analog Modeling) Maximum Polyphony*1*2: SGX-1: 100 voices*3 EP-1: 104 voices HD-1: 140 voices AL-1: 80 voices CX-3: 200 voices STR-1: 40 voices MOD-7: 52 voices MS-20EX: 40 voices PolysixEX: 180 voices *1 Maximum polyphony depends on the kind of synthesis engines and the number of effects being used. *2 KRONOS dynamically allocates voices to multiple synthesis engines when they are used simultaneously. *3 100 dual-stereo notes (It corresponds to 400 voices in the maximum.) Number of Programs/Combinations/Drumkits: 1,664 user memory programs (1510 or more [760 or more HD-1+750 or more EXi] come preloaded) 1,792 user memory combinations (448 or more come preloaded) 152 user memory drumkits (77 or more come preloaded) 256 GM Level2 preset programs+ 9 GM Level2 drum preset programs Preset PCM: 314 MB (ROM 1,505 multisamples, 1388 drum samples) Build-in Expansion PCM Libraries: EXs1 - ROM Expansion EXs2 - Concert Grand Piano EXs3 - Brass & Woodwinds EXs4 - Vintage Keyboards EXs5 - ROM Expansion 2 EXs6 - SGX-1 German D Piano EXs7 - SGX-1 Japanese C Piano EXs8 - Rock Ambience Drums EXs9 – Jazz Ambience Drums Capacity of PCM RAM: Approx. 1GB*4 *4 The memory available for RAM samples will change based on the use of Expansion PCM libraries. About 273MB is available when shipped from the factory (when loading the file named “PRELOAD.KSC”). Wave Sequences: 374 user memory, 160 or more preload [SGX-1 Program] Premium Piano: PCM: EXs6 - SGX-1 German D Piano; EXs7 - SGX-1 Japanese C Piano Piano Type: 32 or more Oscillator Control: Damper Resonance, Damper Noise, Mechanical Noise, Note Release [EP-1 Program] MDS Electric Piano: Electric Piano Model Types: 6 Tine EP I, Tine EP II, Tone EP V, Tine EP DMP, Reed EP200, Reed EP200A Oscillator Control: Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width Panel Control: Tine Type: Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5 Reed Type: Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5 *5 Each electric piano type has own amp/cabinet character. Effect Types: 9 Small Phase, Orange Phase, Clack Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah [HD-1 Program] Advanced Vector Synthesis: Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope. Structure: Single: only OSC1, Double: OSC1 and OSC2. Double mode lets you layer two completely separate synth voices, each with their own velocity- switched oscillator, dual filter, EGs, LFOs, etc. Two completely separate drumkits. Oscillators: VMT (Virtual Memory Technology) supported. 8 velocity zones per oscillator, with switching, crossfades and layering Each zone can play mono or stereo Multisamples or Wave Sequences Filters: Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode) Driver: Per voice non-linear driver and low boost circuit EQ: Three bands, with sweepable mid Modulation: Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers [EXi Program Common] Advanced Vector Synthesis: Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope. Modulation: Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators EQ: Three bands, with sweep-able mid [AL-1 Program] Oscillators: OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync Audio Input: Run real-time audio through the synthesis engine Filters: Two multi-mode filter (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), MultiFilter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects) Driver: Per-voice non-linear driver and low boost circuit Modulation: Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer. [CX-3 Program] Tonewheel Organ Modeling: Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake EX Mode: Four additional, user-specified drawbars, and expanded percussion. Internal Effects: Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ Drawbar Control: Controlled via nine front-panel sliders (via Tone Adjust) Split: Upper, Lower (even in EX mode) Modulation: Two AMS mixers [STR-1 Program] Physically Modeled String: Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more String Excitation: Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated lowpass filter PCM Oscillator: Korg’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can either be used as an excitation signal, or layered with the output of the string. Excitation Filter: Dedicated 2-pole multimode filter for shaping the string excitation; Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes Audio Input and Feedback: Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation. Filters: Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4- pole) configurations. Low Pass, High Pass, and Band Reject modes Multi Filter mode (Filter A only): Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects Modulation: 5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers. [MOD-7 Program] Waveshaping VPM Synthesizer: Combines Variable Phase Modulation (VPM), waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files. Oscillators: 6 VPM/Waveshaper/Ring Modulation Oscillators: Phase and modulatable pitch per oscillator; 101 Waveshaper tables plus modulatable Drive and Offset; Use as oscillators, or as Waveshapers or Ring Modulators for other signals. PCM Oscillator: Korg’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can be used as an FM modulator and/or layered with the VPM Oscillators. Noise generator with saturation and dedicated low pass filter. Audio input: Run real-time audio through the VPM Oscillators and filters. Filters: Dual multi-mode filters per voice. Parallel and 24 dB (4-Pole) configurations; Low Pass, High Pass, Band Pass, and Band Reject modes Multi Filter mode (Filter A only): Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects Patch Panel: Supports both algorithm (78 types) selection and free patching; Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion Modulation: 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers. [MS-20EX Program] Oscillators: Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator Audio Input: Run real-time audio through the synthesis engine and ESP (External Signal Processor) Filters: 12dB/octave High Pass and Low Pass self-resonant filters ESP section: 24dB/octave Low Cut and High Cut filters, available per voice. Patch Panel: Patchable audio and modulation, at audio rates Patch Points: Keyboard: Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In VCO: VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out VCF: External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out VCO+VCF: Total External Modulation In VCA: External Initial Gain Control In, VCA In EG: EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out MG: Triangle Out, Rectangle Out Noise Generator: Pink Noise Out, White Noise Out Sample and Hold: Clock Trigger In, Sample Signal In, S/H Out Modulation VCA: Control Voltage In, Signal In, Signal Out Manual Controller: Control Wheel Out, Momentary Switch ESP: Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out Others: EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out ESP (External Signal Processor): Use incoming audio as a trigger and/or CV source. Modulation: Original DAR and HADSR EGs 1 & 2, original MG (with MIDI sync), Sample-and- Hold, MVCA; 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers [PolysixEX Program] Oscillators: VCO: Saw, Pulse, PWM Sub Oscillator: Off, 1 octave below, 2 octaves below Filter: 24dB/octave Low Pass self-resonant filter Effects: Integrated Polysix Chorus, Phase, and Ensemble Arpeggiator: Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch Modulation: Original ADSR EG and MG (with MIDI sync), 2 additional multi-stage Envelopes, 2 additional per- voice LFOs, and 4 AMS Mixers [Combination] Number of Timbres: 16 Maximum Master Keyboard Functionality: Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI devices Advanced Vector Synthesis: Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope. [Drumkit] System: Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions) [Sampling] System: Open Sampling System (resampling, In-Track sampling) Bit Depth/Sampling Frequency: 16-bit/48 kHz stereo/mono sampling, maximum 512 MB memory Sample Locations: 4,000 samples/1,000 multisamples (128 indexes per multisample) Ripping: Direct sampling (ripping) from audio CD (CD-DA) Formats: Korg format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats Editing: Time Stretch, Time Slice, Crossfade Loop, and other standard editing features. [Effects] Insert Effects: 12 Stereo in / stereo out Master Effects: 2 Stereo in / stereo out Total Effects: 2 Stereo in / stereo out Timbre EQ: High, low, and mid band Effect Types: 185 Modulation: Dynamic Modulation and Common LFO Effects Control Busses: Two stereo side chains Effect Presets: 783 Maximum 32 per 1 effect (Preset User) [KARMA] KARMA Modules: One module in Program mode, four modules in Combination and Sequencer modes Generated Effects (GE): 2,048 presets, 1,536 Users (96 come Preload) Controllers: On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup [Drum Track] Drum Track Patterns: 697 preset (common with the preset patterns of the MIDI sequencer) [Sequencer/HDR] Tracks: 16-track MIDI sequencer + 16-track hard disk recorder + master track. Number of Songs: 200 songs Resolution: 1/480 Tempo: 40.00 – 300.00 (1/100 BPM resolution) Maximum memory: 400,000 MIDI events or 300,000 audio events MIDI Tracks: 16 tracks plus the master track 697 preset/100 user patterns (per song) 18 preset/16 user template songs, Format: Korg (KRONOS, OASYS) format, SMF formats 0 and 1. Audio Tracks: 16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit. Maximum single-file recording time (mono): 80 minutes Automation: Volume, Pan, EQ, and Send1/2; 5,000 regions (max.), Event Anchors, BPM Adjust RPPR (Realtime Pattern Play and Record): 1 Pattern set per song. [General] Disk Mode: Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1. *6 *6 Need to use with External USB CD Drive, etc. Controllers: Vector joystick, joystick, ribbon controller, switches 1 & 2 Control Surface: Control Assign Switches: Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA, or Tone Adjust. Mixer Knobs Switch: Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8 (Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider KARMA Control: On/Off, Latch, Chord Assign, module Control Display: TouchView graphical user interface, 8 inch TFT, SVGA (800x600 dots), adjustable brightness Outputs: L/MONO, R: 1/4” Balanced; 170 Ω Stereo; 85 Ω Mono (L/MONO Only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater) Individual 1-4: 1/4” Balanced; 170 Ω Stereo; 85 Ω Mono, Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater) Headphones: 1/4” stereo phone jack, output impedance: 33 Ω, Maximum Level: 60+60 mW (when load impedance is 33 Ω), S/P DIF: Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz, (the same signals as L/MONO, R) USB-B: 24-bit, 48 kHz, 2 channels (the same signals as L/MONO, R) Inputs: Audio Inputs 1 and 2: 1/4” Balanced; Input Impedance: 10 kΩ, Nominal Level: +4.0 dBu, Maximum Level: +16 dBu, Source Impedance: 600 Ω, S/N: 95 dB (Typical), Dynamic Range: 95 dB (Typical), Crosstalk: 95 dB (at 1 kHz, Typical) S/P DIF: Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz USB-B: 24-bit, 48 kHz, 2 channels Control Inputs: Damper pedal (half damper supported), assignable switch, assignable pedal MIDI: In, Out, Thru Interface: Two high-speed USB 2.0 A connectors (for external USB devices) Disk Drives: 30 GB SSD (2.5”) Power Consumption: 60 W Dimensions: (W x D x H) 88-key: 57.28” x 16.18” x 5.71” 1,455 x 411 x 145 mm 73-key: 48.94” x 16.18” x 5.71” 1,243 x 411 x 145 mm 61-key: 41.42” x 14.25” x 5.28” 1,052 x 362 x 134 mm Weight: 88-key: 50.71 lbs. / 23.0 kg 73-key: 44.75 lbs. / 20.3 kg 61-key: 27.56 lbs. / 12.5 kg Accessories: AC cord, Quick Start Guide, Accessory DVD Disk (Restore Data, KORG USB Driver, Manual PDF, etc.) [Option] XVP-10: Expression/Volume Pedal EXP-2: Foot Controller DS-1H: Damper Pedal PS-1: Pedal Switch PS-3: Pedal Switch |
|
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 17:28 |
|
|---|---|---|
|
Í-ñê Keyboards 
|
Ðåêîðä! Ïî äëèíå êíîïîê. Ãëÿíóë ìåëüêîì, íî 61 ïîëóâçâåøåííàÿ è 12,5 êèëî óæå ðàäóåò. | |
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 17:45 |
|
|---|---|---|
|
Moscow Sax-Alto,Tenor, Roland XPS-30, Roland XPS-10, Roland Lucina AX09 
|
À ñòîèòü áóäåò òàê æå êàê Îàçèñ? Êàê ñðåäíÿÿ á/ó èíîìàðêà? | |
|
«Äèïëîìàò-ýòî ÷åëîâåê, êîòîðûé ìîæåò ïîñëàòü âàñ íà #&# òàêèì îáðàçîì, ÷òî âû ñ ïðåäâêóøåíèåì áóäåòå æäàòü ïóòåøåñòâèÿ...
(Charles de Gaulle)». https://vk.com/d.j.koks |
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 17:46 |
|
|---|---|---|
|
|
Äà,ÿâíûé óêëîí â ìàññîâîñòü...) ó Îàçèñà íå áûëî 61-êëàâèøíîé âåðñèè...) È ïî ñëóõàì ñòîèòü îí íå îñîáî äîðîæå M3 äîëæåí...) |
|
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 18:03 |
|
|---|---|---|
|
Ìèíóñèíñê êëàâèøè
|
ÈÌÕÎ ìîæíî áûëî ïðîñòî âûïóñòèòü 61êë âåðñèþ Îàçèñà è ñíèçèòü öåíó ðàçà â äâà,à íå çàìîðà÷èâàòüñÿ ÿêîáû "íîâîé" ìîäåëüþ. | |
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 18:07 |
|
|---|---|---|
|
|
òðóäíî íå ñîãëàñèòüñÿ...) | |
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 18:16 |
|
|---|---|---|
Ëüâîâ
|
Äèçàéí ïîíðàâèëñÿ Åñëè òî âñå, ÷òî â íåãî çàïèõíóëè, áóäåò ðåàëüíî çâó÷àòü, à íå äëÿ ìàðêåòèíãà, âñåðüåç ñòîèò çàäóìàòüñÿ, âðîäå äîëæåí îòëè÷íûé èíñòðóìåíò ïîëó÷èòüñÿ. |
|
|
MuzProductionUA
http://vk.com/muzproductionukraine |
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 18:24 |
|
|---|---|---|
|
Moscow Sax-Alto,Tenor, Roland XPS-30, Roland XPS-10, Roland Lucina AX09
|
Íàêîíåö òî äèçàéí áîëåå íîðìàëüíûé à íå ó¸áèùíàÿ ðàìà Ì3, êàê ñòåíä â àâòîìàñòåðñêîé. | |
|
«Äèïëîìàò-ýòî ÷åëîâåê, êîòîðûé ìîæåò ïîñëàòü âàñ íà #&# òàêèì îáðàçîì, ÷òî âû ñ ïðåäâêóøåíèåì áóäåòå æäàòü ïóòåøåñòâèÿ...
(Charles de Gaulle)». https://vk.com/d.j.koks |
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 19:02 |
|
|---|---|---|
|
Å-áóðã KORG M3 -73,Banjo,Âåñëî,Äóäêè,Ïóçîòåð
|
||
|
Íè íîòû, áåç áàíêíîòû.
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 19:04 |
|
|---|---|---|
|
Í-ñê Keyboards
|
Êðàñàâåö. ×òî òàì, ÷åðåç ïàðó ÷àñîâ 'a Roland to Korg'? |
|
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 19:16 |
|
|---|---|---|
|
Ëüâîâ
|
Îôèãåòü, ñêîëüêî ìåñòî ïîä ïèàíèíêè îòâåëè... íåóæåëè ýòî áóäåò ïåðâûé êîðæèê ñ ïðèëè÷íûì çâóêîì ôîíî? 
|
|
|
MuzProductionUA
http://vk.com/muzproductionukraine |
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 19:30 |
|
|---|---|---|
|
Å-áóðã KORG M3 -73,Banjo,Âåñëî,Äóäêè,Ïóçîòåð
|
> êîðæèê ñ ïðèëè÷íûì çâóêîì ôîíî Øòóê çà 5 çåëåíè! |
|
|
Íè íîòû, áåç áàíêíîòû.
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 20:12 |
|
|---|---|---|
|
Ìîñêâà Ýòíè÷åñêèå 
|
Çàÿâà ñåðüåçíàÿ. Ïîñìîòðèì ÷òî èç ýòîãî âûéäåò. Ïðèìåðû çâó÷àíèÿ-òî åñòü? Òî ÷òî íà þòóáå çâó÷èò-ýòî îí èëè íåò? | |
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 20:37 |
|
|---|---|---|
|
Ìèíóñèíñê êëàâèøè
|
>Åñëè òî âñå, ÷òî â íåãî çàïèõíóëè, áóäåò ðåàëüíî çâó÷àòü, à íå äëÿ ìàðêåòèíãà, Åñëè âñ¸ òî,÷òî çàïèõíóëè ñîîòâåòñòâóåò òîìó æå ñàìîìó â Îàçèñå(à ïî ñïåöèôèêàöèè è îïèñàíèåì òàê è åñòü,âðîäå),òî ãàäàòü î çâóêå íåò ñìûñëà-äåìîê Îàçèñà ïîëíî â ñåòè. òàêîì ñëó÷àå,èíòåðåñ âûçûâàåò òîëüêî öåííèê.Åñëè îí áóäåò íà óðîâíå 3000(÷òî âðÿä ëè),ñìåëî ìîæíî íàçâàòü "íîâûé" èíñòðóìåíò çàìåíèòåëåì Îàçèñà  ,åñëè æå ïðàéñ áóäåò áëèçêèì ê ïðåäøåñòâåííèêó,òî ìîòèâû Êîðãà ìíå ëè÷íî ñîâñåì íåïîíÿòíû.. 
|
|
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 22:23 |
|
|---|---|---|
|
PC3X, G2 Engine, Ti2, TR-Rack, JD-990
|
Ìíå êàæåòñÿ, ÷òî öåíà áóäåò áëèçêà ê îáû÷íûì âîðêñòåéøåíàì. Îàçèñ áûë âûïóùåí 6 ëåò íàçàä, âûïóñêàòü ñïóñòÿ øåñòü ëåò åù¸ ðàç ïî÷òè òî æå ñàìîå çà òàêóþ æå öåíó - ýòî áûëî áû ñòðàííî. Åñëè äåéñòâèòåëüíî áóäóò ïðîäàâàòü ïî íîðìàëüíîé öåíå, òî äåâàéñ - must have, îàçèñîâñêèé ñèíòåç - ýòî íå õðåí ñîáà÷èé. |
|
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 22:26 |
|
|---|---|---|
|
Í-ñê Keyboards
|
È ìñüå Ðîëàíä ïî ÷àñòè â¸êñòåéøíîâ ÷¸-òî îáñîñàëñî (ãîë êàê íîë) |
|
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 13.01.2011 23:00 |
|
|---|---|---|
|
Ðÿçàíü Nord, Moog, DSI 
|
"ïåðâûé êîðæèê ñ ïðèëè÷íûì çâóêîì ôîíî?" À íà Oasys äîïîëíèòåëüíîå íà 512ìá - ñîâñåì ïëîõîå? ) Ïî äåìêàì íà òî âðåìÿ âðîäå íè÷åãî áûëî. |
|
|
Welcome back my friends to the show that never ends
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 00:20 |
|
|---|---|---|
|
Ìèíóñèíñê êëàâèøè
|
>À íà Oasys äîïîëíèòåëüíîå íà 512ìá - ñîâñåì ïëîõîå? ) Íå ñîâñåì ß áû äàæå ñêàçàë,âïîëíå ïðèëè÷íîå,íî íàäî ïðèçíàòü,íå ñâåðõâûäàþùååñÿ...â òîì ñìûñëå,÷òî îáú¸ì ñåìïëîâ â äàííîì ñëó÷àå íå ÿâëÿåòñÿ àáñîëþòíûì ìåðèëîì êà÷åñòâà.
|
|
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 00:32 |
|
|---|---|---|
|
Í-ñê Keyboards
|
Äëèííûå ñåìïëû èíîãäà î-êàê íóæíû. Ó Äæóíî-Äæè åñòü ãîäíàÿ àê. ãèòàðêà, êîòîðàÿ ãîäíàÿ, ïîêà íå êîí÷àåòñÿ ñåìïë - òî÷íåå, ïîêà íå íà÷èíàåòñÿ êîñÿ÷íàÿ ïåòëÿ. "Ýêîíîìèêà äîëæíà áûòü ýêîíîìêîé" - íåò æå æ! Ïî ïîâîäó ôîðòåïëÿñîâ. Äâà ñîâåòñêèõ ô-íî, è Petrof, è êàáèíåòíûé ðîÿëü. Ïîñëåäíèé çâó÷èò ñâåòëåå, ñëàùå, è õîä êëàâèø ìåíüøå. Ïîäîçðåâàþ (ñåé÷àñ íå ïîìíþ, íå îáðàùàë âíèìàíèÿ), ÷òî ïîñëåçâó÷èå (èëè çâóê) êîðî÷å. Petrof - íåÿðêèé, äëÿ êðàñèâûõ ìèíîðíûõ íàïåâîâ. Îäèí èç ñîâåòñêèõ ðàçáîëòàåâ - êàê âîäà (îôèãèòåëüíî, íî íå íàñòðîåíî), äðóãîé - ïîäîáíàÿ âîäà, íî òî ëè â õðóñòàëå, òî ëè â ñòåêëå (è îïÿòü, íå íàñòðîåíî!). È âñå ýòè ðàçëè÷èÿ - ÄÎ ñåìïëèðîâàíèÿ. |
|
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 01:01 |
|
|---|---|---|
|
PC3X, G2 Engine, Ti2, TR-Rack, JD-990
|
Åñëè âåðèòü ìàãàçèíó Nova Musik (http://www.novamusik.com/search.aspx?type=Search& mid=0&keyword=korg+m3), òî öåíû (MSRP) âîò òàêèå: Korg Kronos 61 - $3,750.00 Korg Kronos 73 - $4,350.00 Korg Kronos 88 - $4,750.00 |
|
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 01:01 |
|
|---|---|---|
|
PC3X, G2 Engine, Ti2, TR-Rack, JD-990
|
Ïðîøó ïðîùåíèÿ, â ïðåäûäóùåì ñîîáùåíèè ññûëêà äîëæíà áûòü òàêàÿ: | |
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 01:04 |
|
|---|---|---|
|
Ìîñêâà Êëàâèøíûå
|
Ïî îïèñàíèþ-ñêàçêà.íî âåäü òàê äàæå ïðî äåø¸âûå ïñð-êè ïèøóò. Çàñëàííûå êàçà÷êè. |
|
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 01:07 |
|
|---|---|---|
|
Í-ñê Keyboards
|
>Åñëè âåðèòü ìàãàçèíó Nova Musik (http://www.novamusik.com/search.aspx?type=Search& mid=0&keyword=korg+m3), òî öåíû (MSRP) âîò òàêèå: >Korg Kronos 61 - $3,750.00 Who ÿ-ñ-ñå! |
|
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 01:09 |
|
|---|---|---|
|
Ìîñêâà Êëàâèøíûå
|
Íå,öåíà íîðìàëüíàÿ äëÿ òàêîãî ìîíñòðà,òåì áîëåå áóäóò á.ó.-íàäåæäà âñåõ êëàâèùíèêîâ. | |
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 01:22 |
|
|---|---|---|
|
Ëüâîâ
|
Âîò áû óæå äýìêè ïîñëóøàòü 
|
|
|
MuzProductionUA
http://vk.com/muzproductionukraine |
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 01:28 |
|
|---|---|---|
|
Ëüâîâ
|
Ïîêà òàêîé îáçîð |
|
|
MuzProductionUA
http://vk.com/muzproductionukraine |
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 01:44 |
|
|---|---|---|
|
Ìîñêâà Êëàâèøíûå
|
Ñóäÿ ïî äåìêå,âñ¸ îñòà¸òñÿ ïî-ñòàðîìó,ïðåäïî÷òåíèÿ ðîêó è ñèíòåòèêå. Ô-íî íà Êàðìå âîîáùå Õ-50 íàïîìíèëî. |
|
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 01:47 |
|
|---|---|---|
|
Ëüâîâ
|
Ìåíÿ ýòî âèäåî âîîáùå â ñòóïîð âîãíàëî, òàêîå îùóùåíèå, ÷òî âñå çâóêè êðîìå ôèç. ìîäåëèðîâàíèÿ - âçÿòû èç Ì3 
|
|
|
MuzProductionUA
http://vk.com/muzproductionukraine |
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 02:37 |
|
|---|---|---|
|
Moscow Sax-Alto,Tenor, Roland XPS-30, Roland XPS-10, Roland Lucina AX09
|
Èíòåðåñíî, ÷åì îòâåòèò ßìàõà? Ìîòèâîì XXX? | |
|
«Äèïëîìàò-ýòî ÷åëîâåê, êîòîðûé ìîæåò ïîñëàòü âàñ íà #&# òàêèì îáðàçîì, ÷òî âû ñ ïðåäâêóøåíèåì áóäåòå æäàòü ïóòåøåñòâèÿ...
(Charles de Gaulle)». https://vk.com/d.j.koks |
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 02:49 |
|
|---|---|---|
|
Ìîñêâà Êëàâèøíûå
|
Ñìåøàþò ìîòèô ñ ýëåêòðîíèêîé,îòíèìóò êã 3 è íàçàâóò Êóïëåò. | |
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 07:35 |
|
|---|---|---|
|
Âëàäèâîñòîê synthesizer 
|
Ì...Äààà âïå÷àòëèëî. >Èíòåðåñíî, ÷åì îòâåòèò ßìàõà? -ß ñëûõàë, ÷òî âåäåòñÿ ñîâìåñòíàÿ ðàçðàáîòêà KARMA&MOTIF. Ìîæåò êòî çíàåò ïîäðîáíîñòè? |
|
|
Íå òðîãàéòå ìîêðûìè ðóêàìè îãîë¸ííûå ïðîâîäà.-Îíè ìîãóò çàðæàâåòü!
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 07:48 |
|
|---|---|---|
|
|
>Èíòåðåñíî, ÷åì îòâåòèò ßìàõà? Ìîòèâîì XXX? Êàê ÷åì? À ïðî XF âû çàáûëè?!) |
|
|
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 07:59 |
|
|---|---|---|
|
Âëàäèâîñòîê synthesizer
|
||
|
Íå òðîãàéòå ìîêðûìè ðóêàìè îãîë¸ííûå ïðîâîäà.-Îíè ìîãóò çàðæàâåòü!
|
||
| Àâòîð |
Òåìà: Re: KORG KRONOS
Âðåìÿ: 14.01.2011 08:00 |
|
|---|---|---|
|
|
|
|
|
|
||