Àâòîð |
Òåìà: KORG M50 è KORG PS60
Âðåìÿ: 10.11.2010 21:24 |
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Ìîñêâà ñàêñîôîíû |
êòî ïðîáîâàë, ÷òî ëó÷øå? ps60 ïðîáîâàë â ìàãàçèíå ñåãîäíÿ, óäîáíàÿ øòóêà, m50 íå ïðîáîâàë. Ïðåäïî÷òåíèå îòäàþ çâóêó, åñëè åñòü, êòî òåñòèë àïïàðàòû ýòè, áóäó ðàä âûñëóøàòü. | |
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Àâòîð |
Òåìà: Re: KORG M50 è KORG PS60
Âðåìÿ: 10.11.2010 21:39 |
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À êàê áû ïî÷èòàòü ïðî íèõ íå ñóäüáà?! | |
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Àâòîð |
Òåìà: Re: KORG M50 è KORG PS60
Âðåìÿ: 10.11.2010 21:50 |
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Ìîñêâà ñàêñîôîíû |
êàê áû ïî÷èòàë. à êàê çâó÷èò íå ñëûøàë. óâàæàåìûå, ÿ íå ñîâåòà ïðîøó, à îòâåòà íà âîïðîñ, 22Lemonjam, ðàçíèöó ÷óâñòâóåòå? |
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Àâòîð |
Òåìà: Re: KORG M50 è KORG PS60
Âðåìÿ: 10.11.2010 21:56 |
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Òàê åñëè áû âû ïîâíèìàòåëüíåå ïî÷èòàëè,òî âû áû ïîíÿëè,÷òî çâó÷àò îíè îäèíàêîâî,ò.ê. äâèæîê ó íèõ îäèí,òîëüêî â PS - 49 MB âîëíîâûõ ôîðì,à â M-50 - 256 MB...ðàçíèöó ÷óâñòâóåòå?!) | |
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Àâòîð |
Òåìà: Re: KORG M50 è KORG PS60
Âðåìÿ: 10.11.2010 22:14 |
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Äà è ïîòîì,÷òî ïîñëóøàòü íåãäå?! Õîòÿ áû äåìêè ñ îô.ñàéòà,ðîëèêè íà YouTube ïîñìîòðåòü...èëè âû èì äîâåðÿåòå ìåíüøå,÷åì ÷üèì òî óøàì?!) | |
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Àâòîð |
Òåìà: Re: KORG M50 è KORG PS60
Âðåìÿ: 10.11.2010 22:32 |
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êëàâèøíûå äîôèãà âñÿêèõ |
ïîõîæå Íî íå-ÒÎ.... Ñèñòåìà ñèíòåçà EDS- i (Enhanced Definition Synthesis- integrated ) âîò ýòîé áóêâîé i îíè è îòëè÷àþòñÿ äâèæîê õîòü è ïîõîæå íàçûâàåòñÿ íî íå òîò ÷òî ñòîèò â Ì ñåðèè ýòî òîæå ñàìîå ÷òî è Ìèêðîñòåéøåí .... ïûòàëñÿ ÿ îò Ìèêðîñòåéøåí â Ì50 çâóêè âñóíóòü íå ïðîêàíàëî... |
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Prophet 6 -÷óòü ñëîìàí íî ïðîäà¸òñÿ çà äîðîãî
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Àâòîð |
Òåìà: Re: KORG M50 è KORG PS60
Âðåìÿ: 10.11.2010 22:56 |
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Ýòî ÷òî-òî óðåçàííîå?) | |
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Àâòîð |
Òåìà: Re: KORG M50 è KORG PS60
Âðåìÿ: 10.11.2010 22:59 |
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ß êñòàòè ïðî ýòó "i" åù¸ òîãäà ïîäóìàë,íî ðåøèë,÷òî òàì âèäèìî äåëî òîëüêî â âîçìîæíîñòè øèðîêîãî ðåäàêòèðîâàíèÿ... À ÷òî òàì â ýòîé "èíòåãðàöèè"?) |
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Àâòîð |
Òåìà: Re: KORG M50 è KORG PS60
Âðåìÿ: 10.11.2010 23:28 |
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Íó âñ¸ ïðàâèëüíî - åù¸ è ñèñòåìà ñèíòåçà óðåçàííàÿ!) "The EDS-i sound engine integrates the main functionality such as oscillators, filters, amp, LFO/EG and effects of the “EDS” (Enhanced Definition Synthesis) sound engine from the M3 and M50. It delivers the widely acclaimed rich and vivid sound of EDS. The oscillator section lets you use a wide variety of high-quality PCM sources that were sampled at 48 kHz, occupying a total of 49 Mbytes (when calculated as 16-bit linear PCM data). The filter section that is so important to creative sound-making provides two high-quality filters for each oscillator, and allows you to freely combine four types of filter: low-pass, high-pass, band-pass and band-reject. Modulation functionality is indispensible to detailed sound design, and here too, the PS60 brings you fullfledged synthesis power with EG (envelope generator), LFO, key tracking generator, AMS (alternate modulation sources) and AMS mixer inherited from the EDS sound engine. The effect section lets you add the final touches to the overall sound using one insert effect for each timbre (except for the STRINGS timbre, making a total of five), whose effect type can be one of 63 types including dynamics effects such as compressor or limiter and amp modeling powered by Korg’s proprietary “REMS” modeling technology. Effect dynamic modulation (Dmod) allows you to control the effects in a wide variety of ways. You can also use two master effects (modulation and reverb/delay) and an EQ." |
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Àâòîð |
Òåìà: Re: KORG M50 è KORG PS60
Âðåìÿ: 10.11.2010 23:32 |
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êëàâèøíûå äîôèãà âñÿêèõ |
äà ôèã çíàò...çíàþ îäíî ÷òî çâóêè îò Ìèêðîñê ê Ì50 íå ïîäîøëè ... íàâåðíî ÷òîá æèçíü ì¸äîì íå êàçàëàñü çà 30000 îòêóñèëè ÷åãî âðîäå Òî à íà ïîâåðêó äî Ìý íå òÿíåò .... ïîëó÷àåòñÿ îíè òåïåðü è òîíãåíåðàòîðû áþäæåòíûå äåëàþò...=) |
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Prophet 6 -÷óòü ñëîìàí íî ïðîäà¸òñÿ çà äîðîãî
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Àâòîð |
Òåìà: Re: KORG M50 è KORG PS60
Âðåìÿ: 10.11.2010 23:35 |
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êëàâèøíûå äîôèãà âñÿêèõ |
âîïùèì àôôòàð...! Ì 50 ëó÷÷å =) õîòÿ ïèàíèíû è òàì è òàì íå Êóðâàéë õîòü ñ i õîòü áåç...=) |
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Prophet 6 -÷óòü ñëîìàí íî ïðîäà¸òñÿ çà äîðîãî
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Àâòîð |
Òåìà: Re: KORG M50 è KORG PS60
Âðåìÿ: 10.11.2010 23:47 |
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Ýòî-òî - ÄÀ!) | |
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Àâòîð |
Òåìà: Re: KORG M50 è KORG PS60
Âðåìÿ: 11.11.2010 00:24 |
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Ìîñêâà ñàêñîôîíû |
âîò ñïàñèáî) | |
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