Àâòîð |
Òåìà: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 20:11 |
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Áàðíàóë Fender Am Deluxe Strat |
îêàçûâàåòñÿ, åñëè íåêîòîðûå ïåñíè ïîâûñèòü íà ïîëòîíà, îíè çâó÷àò ãîðàçäî êðó÷å, ÷åì îðèãèíàë ïðèâåäó íåñêîëüêî ïðèìåðîâ: íàïðèìåð: îðèãèíàë è òî æå, ïîâûøåííîå íà ïîëòîíà èëè âîò: îðèãèíàë è òî æå, ïîâûøåííîå íà ïîëòîíà êàçàëîñü áû, âñåãî ïîëòîíà, íî êàê ìåíÿåòñÿ ïåñíÿ èëè âîò êàê âàðèàíò: áûëà ïåñíÿ òàêîé: à ÿ ó ñåáÿ â n-Track Studio íàäûáàë ïèò÷-øèôòåð, ïðè÷åì âåñüìà êà÷åñòâåííûé, è ñâàÿë òî, ÷òî ÿ âñåãäà õîòåë â îáùåì, òåìà ïîãîâîðèòü, êòî ÷òî äóìàåò ïî ýòîìó ïîâîäó? |
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Guitar players are always doing shit with feedback. They love it, everyone else hates it. (c) Ray Manzarek
The Les Paul is a beautiful guitar but it’s heavy as shit! (c) Joan Jett |
Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 20:15 |
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Ibanez S470DX |
ïîäíèìè ìàñòåðîôïàïåö, çàñëóøàòü ÷èñòî | |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 20:19 |
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woodS Gibson ♫ |
ëó÷øå ïîíèçèòü íà äâà | |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 20:22 |
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Áàðíàóë Fender Am Deluxe Strat |
>ïîäíèìè ìàñòåðîôïàïåö, çàñëóøàòü ÷èñòî à êëåâî ïîëó÷èëîñü, ùàñ âûëîæó |
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Guitar players are always doing shit with feedback. They love it, everyone else hates it. (c) Ray Manzarek
The Les Paul is a beautiful guitar but it’s heavy as shit! (c) Joan Jett |
Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 20:24 |
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«Ïęңçά» Ðà¢èñò |
çàêóñûâàòü íàäî, òîâàðèùè | |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 20:27 |
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Áàðíàóë Fender Am Deluxe Strat |
ìàñòåðîôïàïåòö ïîâûøåííûé |
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Guitar players are always doing shit with feedback. They love it, everyone else hates it. (c) Ray Manzarek
The Les Paul is a beautiful guitar but it’s heavy as shit! (c) Joan Jett |
Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 20:29 |
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à ÿ ñäåëàë íàáëþäåíèå, ÷òî åñëè íàîáîðîò ïîíèçèòü íà òîí-äðóãîé, à òî è íà êâèíòó, áóäåò ìÿñî è æîðåâî à åñëè ñåðüåçíî, â äåòñòâå áûë ìàãíèòîôîí, êîòîðûé ïëåíêó íåìíîãî ìåäëåííåå ïðîêðó÷èâàë è çàïèñè çâó÷àëè ãäå-òî íà ïîëóòîí íèæå ÿ ñïåöèàëüíî ñ íåãî ïåðåïèñûâàë êàññåòû, ÷òîáû çâóê áûë íàñûùåí íèçàìè, ãäå íå õâàòàëî â ÷àñòíîñòè Ìàñòåð îô Ïàïèöö çâó÷àë íà ïîðÿäîê èíòåðåñíåå, è îñîáåííî ïðèêàëûâàë Sepultura - Arise 1991 |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 20:29 |
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Fender RK Stratocaster/Fender Am Strat Plus/Lepsky Custom/Strand |
åñëè ïàíòåðó : ìèíóòñ ýëîíã ïîäíÿòü,íàâåðíîå ñòîøíèò îò çâóêà | |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 20:30 |
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íå-íå, Ìàñòåð-à ëó÷øå ïîíèæàòü, êàê ðàç | |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 20:31 |
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EMG81 , Ñ Ïàíòåðîé êàê ðàç íè÷åãî íå íàäî äåëàòü, òàì âñå èäåàëüíî |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 20:33 |
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Ibanez S470DX |
íó òóò âèäèìî êîìó-êàê. ïîâûøåíûé ìàñòåð ìíå ïîíðàâèëñÿ | |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 22:29 |
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Ìîñêâà Guitars, Bass |
ó ìåíÿ â äåòñòâå Helloween 1985-é íà êàññåòå áûë çàïèñàí ÷óòêà áûñòðåå ñóïåð |
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Ok Guitar * Îáûêíîâåííûé Ãèòàðèçì
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 22:33 |
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Óðàíèóñ Hamer F#CK Yeah |
Ó Âàí Õàëåíà ÷åòî íå çàìåòèë îñîáîé ðàçíèöû.. îíà åñòü? Íó äà åñòü ÷óòü ÷óòü. À ó Äîðñ äåéñòâèòåëüíî Ýòî îíè ñïåöèàëüíî â êëèïå íà ïîë òîíà ñäåëàëè ÷òîëè? |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 22:34 |
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Ìîñêâà Ñòðàòû è áóñòåðà |
Õåíäðèêñ èãðàë íà ïîëòîíà íèæå | |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 22:36 |
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ìåøóãó ñäåëàé íà ïîëòîíà íèæå, àãà=) | |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 22:38 |
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Åñòü |
Ïîâûøåííàÿ ìåòàëëèêà ïðèáëèæàåòñÿ ê àíòðàêñó. | |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 23:04 |
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LED hunter behind heads |
>åñëè íåêîòîðûå ïåñíè ïîâûñèòü íà ïîëòîíà, îíè çâó÷àò ãîðàçäî êðó÷å, ÷åì îðèãèíàë à åñëè ïîíèçèòü Âàðóì, òî ïîëó÷àåòñÿ Àãóòèí |
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- How do I get to Carnegie Hall?
- Practice, practice, practice. |
Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 23:10 |
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Ibanez S470DX |
>à åñëè ïîíèçèòü Âàðóì, òî ïîëó÷àåòñÿ Àãóòèí êàê ýòó ôèøêó ðàññêàçàëè - ñòàë îò÷åòëèâî ñëûøàòü â âàðóìå àãóòèíà))) |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 17.01.2012 23:11 |
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Ìåãèîí ESP&Hamer |
>à åñëè ïîíèçèòü Âàðóì, òî ïîëó÷àåòñÿ Àãóòèí |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 18.01.2012 00:19 |
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woodS Gibson ♫ |
>>à åñëè ïîíèçèòü Âàðóì, òî ïîëó÷àåòñÿ Àãóòèí |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 18.01.2012 01:27 |
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Äóáàé Gibson Les Paul Custom 1998 |
Åñëè Ìåòàëëèêó ïîäíÿòü åùå íà ïîëòîíà, ïîëó÷èòñÿ Ìåãàäåò | |
Gibson LP - Cry Baby 95 - Catalinbread Formula ¹5 - Ibanez TS-9 - Blackstar HT-Blackfire - Boss CH-1 - Jack DeVille Dark Echo - Blackstar HT Studio 20
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 18.01.2012 06:45 |
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Ìîñêâà Guitar |
>Åñëè Ìåòàëëèêó ïîäíÿòü åùå íà ïîëòîíà, ïîëó÷èòñÿ Ìåãàäåò Ðàííèé åñëè òîëüêî è òî íå ôàêò, à ïîñëåäíèå àëüáîìû âîîáùå î÷åíü êðóòî è ñîâðåìåííî çâó÷àò. ìàñòåéí óìååò ñäåëàòü ãðàìîòíî, íå òî ÷òî ñàëàãè èç ìåòëû) |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 18.01.2012 10:28 |
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Dean Vendetta 7str |
>Jahman >Ðàííèé åñëè òîëüêî è òî íå ôàêò, à ïîñëåäíèå àëüáîìû âîîáùå î÷åíü êðóòî è ñîâðåìåííî çâó÷àò. ìàñòåéí óìååò ñäåëàòü ãðàìîòíî, íå òî ÷òî ñàëàãè èç ìåòëû) |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 18.01.2012 10:41 |
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ËÏ è áîðçûé ñòðàò :7: |
Ïåðåñòðîèë ãèòàðû íà ïîëòîíà âûøå! Òåïåðü ÿ áóäó çâó÷àòü ÃÎÐÀÇÄÎ ÊÐÓ×Å!!! | |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 18.01.2012 10:48 |
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Fender |
>>à åñëè ïîíèçèòü Âàðóì, òî ïîëó÷àåòñÿ Àãóòèí |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 18.01.2012 12:03 |
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Íèæíåâàðòîâñê Fender Strat+ '90/Fender RK Tele/Jackson USA |
>>>à åñëè ïîíèçèòü Âàðóì, òî ïîëó÷àåòñÿ Àãóòèí íàâåðíîå, åñëè ïîíèçèòü ïóãà÷¸âó, òî ïîëó÷èòñÿ êèðêîðîâ |
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"a volume knob on any guitar basically gives you an infinite number of amp channels" (c) G.Govan.
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 18.01.2012 12:26 |
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Íèæíåâàðòîâñê Fender Strat+ '90/Fender RK Tele/Jackson USA |
>Ëå÷ó ìàíèþ âåëè÷èÿ óðèíîòåðàïèåé. ùà ñ êîëëåãàìè ïîðæàëè |
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"a volume knob on any guitar basically gives you an infinite number of amp channels" (c) G.Govan.
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 18.01.2012 12:38 |
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Ìîñêâà Guitar |
ýòî òèïà ñàêè ïèòü | |
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 18.01.2012 12:43 |
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Les Paul |
>>>à åñëè ïîíèçèòü Âàðóì, òî ïîëó÷àåòñÿ Àãóòèí k.a.s. , Ðåñïåêò! äî ñë¸ç ÷åðòÿêà, äîâ¸ë:) |
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Ó òåáÿ, êîãäà èãðàåøü, âûðàæåíèå ëèöà ñëèøêîì äîáðîå, ïî÷òè êàê ó Ïóòèíà. (ñ)
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 18.01.2012 14:43 |
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Ìîñêâà Ibanez MMM1 |
Âðåìÿ: 17.01.2012 23:04 ÄÀ ÝÒÎ ÆÅ ÏÈÍÄÅÖ ÊÀÊÎÉ-ÒÎ íåëüçÿ òàêîå íà ðàáîòå ñìîòðåòü |
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Ibanez MMM1 => AMT WH-1 => BOSS PH-2 => input AMT SS-11b send => Mooer PitchBox => Mooer Trelicopter => Vox DelayLab => return AMT SS-11b output => AMT RY-1 => Brightone MB-1 => Tuner
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Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 18.01.2012 14:50 |
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áèëåò íà áàëåò |
>à åñëè ïîíèçèòü Âàðóì, òî ïîëó÷àåòñÿ Àãóòèí ïóêåíà ìíå â àíóñ |
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Rock-n-Roll ýòî æìóðü
ß òâîðþ íåìîòèâèðîâàííûå àêòû êðàñîòû Õåíäðèêñ ñäîõ à Êèðêîðîâ æèâ. Ïåë Ïðåñëè ñòîíàë Ëåïñ.. È Êîáåéí â õîõëîìå. Òàêèå âîò òâîð÷åñêèå âå÷åðà â Ïèòåðå.  êâàðòèðå ñ Âèäîì íà Êàçàíñêèé. (ñ) Time |
Àâòîð |
Òåìà: Re: Ñäåëàë îäíî íàáëþäåíèå
Âðåìÿ: 18.01.2012 15:12 |
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LED hunter behind heads |
hempshir , ÿ ñàì êîãäà â ïåðâûé ðàç óñëûøàë ïðîñòî îõðåíåë - ðåàëüíî ïîõîæå, è àðòèêóëÿöèÿ è òåìáð è íþàíñû... | |
- How do I get to Carnegie Hall?
- Practice, practice, practice. |