| Àâòîð | Òåìà: ïðîäàì ìîäóëü Roland TD-10 è êåâëàðîâûé ìàëûé |
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Âðåìÿ: 14.12.2007 00:07 |
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Roland TD-10 Ñ ÊÀÐÒÎÉ ÐÀÑØÈÐÅÍÈß TDW-1 – ÇÀ 24000 ÐÓÁËÅÉ ïåðêóññèîííûé çâóêîâîé ìîäóëü, îñíîâàííûé íà COSM-òåõíîëîãèè. Äî ïîÿâëåíèÿ íà ðûíêå TD-20 ÁÛË ôëàãìàíîì ëèíåéêè áàðàáàííûõ ìîäóëåé. Ïî ñâîèì îïöèÿì è âîçìîæíîñòÿì àíàëîãè÷åí TD-20 ,íî çà ñ÷åò êàðòû ðàñøèðåíèÿ çâóêîâ â äâà ðàçà áîëüøå. http://www.rolandus.com/products/productdetails.aspx?dsection=d_support&ObjectId=228 ÕÀÐÀÊÒÅÐÈÑÒÈÊÈ Èìååò àáñîëþòíî ïðîñòîå è óäîáíîå óïðàâëåíèå áëàãîäàðÿ èñïîëüçîâàíèþ â êîíñòðóêöèè 6 ôåéäåðîâ, êîëåñà Shuttle äëÿ âûáîðà ïàðàìåòðîâ è áîëüøîìó æèäêîêðèñòàëëè÷åñêîìó ãðàôè÷åñêîìó äèñïëåþ ñ ïîäñâåòêîé. Ìîäóëü èìååò ïîäñâåòêó ïðè ñðàáàòûâàíèè òðèããåðîâ è óäèâèòåëüíî òî÷íóþ îòðàáîòêó ïàðàìåòðîâ ïàëî÷êè óäàðíèêà (Velocity, Position, Speed). ׸òêàÿ îòðàáîòêà ïàðàìåòðîâ ïàëî÷êè áàðàáàíùèêà ïîçâîëÿåò ïåðåäàòü æèâîå çâó÷àíèå óäàðíûõ èíñòðóìåíòîâ. TD-10 ñîäåðæèò ñâûøå 1000 âûñîêîêà÷åñòâåííûõ çâóêîâ óäàðíûõ èíñòðóìåíòîâ è 54 - ìåëîäè÷åñêèõ èíñòðóìåíòîâ. Ýòè çâóêè îðãàíèçîâàíû â 50 íàáîðîâ óäàðíûõ ñ âîçìîæíîñòüþ âíóòðåííåãî ñåêâåíñîðà ñîçäàâàòü 4-òðåêîâóþ ãàðìîíè÷åñêóþ ïîääåðæêó. TD-10 îñíàù¸í ñîâðåìåííîé îáðàáîòêîé çâóêà - ïðîãðàììàìè ðåâåðáåðàöèè, ýêâàëèçàöèè, êîìïðåññèè è ýôôåêòàìè íà îñíîâå ìàëîé çàäåðæêè Ambience. TD-10 èìååò 12 ñäâîåííûõ âõîäîâ è 8 âûõîäîâ (4 ñòåðåîïàðû). TD-10 ïðåäíàçíà÷åí äëÿ ðàáîòû ñ ïýäàìè ôèðìû Roland (PD-5/7/9/80R/100/120, KD-80/120, V-Kick, KD-7 Kikc). ÒÅÕÍÈ×ÅÑÊÈÅ ÕÀÐÀÊÒÅÐÈÑÒÈÊÈ Ìàêñèìàëüíàÿ ïîëèôîíèÿ 54 ãîëîñà. Èíñòðóìåíòû: Drums 1000, Backing 54. Áàðàáàííûõ íàáîðîâ: 50 ïîëüçîâàòåëüñêèõ è 50 - êàðòà. ×èñëî çâåíüåâ áàðàáàííîãî íàáîðà 16. Ïàðàìåòðû èíñòðóìåíòîâ: àêóñòè÷åñêèå áàðàáàíû (Shell Material, Shell Depth, Head Type, Head Tuning, Muffing, Strainer Adjustment); ýëåêòðîííûå áàðàáàíû: (Attack, Tone Pitch, Noisi Pitch, Decay, Noise Tone Balance, Pitch Bend); ðèòì-ìàøèíû: TR-808/TR-809 (Attack, Tune, Tone, Shift, Snappy, Decay); äðóãèå èíñòðóìåíòû: Pitch, Decay. Ñòóäèéíûå ïàðàìåòðû: Studio Type, Room Size, Wall Type, Ambience Mic Position, Mic Type. Ïàðàìåòðû ìèêøåðà: Volume, Pan, Output Select. 10-êàíàëüíûé êîìïðåññîð, 10-êàíàëüíûé 2-ïîëîñíûé ýêâàëàéçåð, 3-ïîëîñíûé ìàñòåð EQ. Ýôôåêòû 30 òèïîâ. Ïàðàìåòðû òðèããåðîâ: Trigger Type, Sensitivity, Threshold, Curve. Ñåêâåíñîð: 4 òðåêà, 50 ïðåñåòíûõ ïàòòåðíîâ, 50 ïîëüçîâàòåëüñêèõ, ôóíêöèÿ Play One Shot, Loop, Tap, ðàçðåøåíèå - 192 åäèíèöû íà äëèòåëüíîñòü ÷åòâåðòíîé íîòû, ìåòîä çàïèñè Realtime. Èçìåíåíèå òåìïà 20 - 260. Äèñïëåé: ãðàôè÷åñêèé LCD ñ ïîäñâåòêîé 64 õ 160 òî÷åê, ñâåòîäèîäíûé LED 8-ñåãìåíòíûé 3-ñèìâîëüíûé. Êîììóòàöèîííûå ãí¸çäà: 12 ïàðíûõ òðèããåðíûõ âõîäîâ, 8 âûõîäîâ (4 ñòåðåîïàðû), âûõîä íà íàóøíèêè, âõîä Monitor Mix In (ñòåðåî), ãíåçäî êîíòðîëÿ Hi-Hat, íîæíîé ïàðíûé ïåðêëþ÷àòåëü, MIDI (In, Out, Thru), ñëîò äëÿ ïëàòû ðàñøèðåíèÿ, ñëîò äëÿ êàðòû ïàìÿòè. Ïîòðåáëÿåìàÿ ìîùíîñòü 18 W (AC 117/230/240 V). Ãàáàðèòû: 305 õ 245 õ 90 ìì. Âåñ 2.3 êã. Roland TD-10 - ïåðêóññèîííûé çâóêîâîé ìîäóëü, îñíîâàííûé íà COSM-òåõíîëîãèè. ÕÀÐÀÊÒÅÐÈÑÒÈÊÈ Èìååò àáñîëþòíî ïðîñòîå è óäîáíîå óïðàâëåíèå áëàãîäàðÿ èñïîëüçîâàíèþ â êîíñòðóêöèè 6 ôåéäåðîâ, êîëåñà Shuttle äëÿ âûáîðà ïàðàìåòðîâ è áîëüøîìó æèäêîêðèñòàëëè÷åñêîìó ãðàôè÷åñêîìó äèñïëåþ ñ ïîäñâåòêîé. Ìîäóëü èìååò ïîäñâåòêó ïðè ñðàáàòûâàíèè òðèããåðîâ è óäèâèòåëüíî òî÷íóþ îòðàáîòêó ïàðàìåòðîâ ïàëî÷êè óäàðíèêà (Velocity, Position, Speed). ׸òêàÿ îòðàáîòêà ïàðàìåòðîâ ïàëî÷êè áàðàáàíùèêà ïîçâîëÿåò ïåðåäàòü æèâîå çâó÷àíèå óäàðíûõ èíñòðóìåíòîâ. TD-10 ñîäåðæèò ñâûøå 1000 âûñîêîêà÷åñòâåííûõ çâóêîâ óäàðíûõ èíñòðóìåíòîâ è 54 - ìåëîäè÷åñêèõ èíñòðóìåíòîâ. Ýòè çâóêè îðãàíèçîâàíû â 50 íàáîðîâ óäàðíûõ ñ âîçìîæíîñòüþ âíóòðåííåãî ñåêâåíñîðà ñîçäàâàòü 4-òðåêîâóþ ãàðìîíè÷åñêóþ ïîääåðæêó. TD-10 îñíàù¸í ñîâðåìåííîé îáðàáîòêîé çâóêà - ïðîãðàììàìè ðåâåðáåðàöèè, ýêâàëèçàöèè, êîìïðåññèè è ýôôåêòàìè íà îñíîâå ìàëîé çàäåðæêè Ambience. TD-10 èìååò 12 ñäâîåííûõ âõîäîâ è 8 âûõîäîâ (4 ñòåðåîïàðû). TD-10 ïðåäíàçíà÷åí äëÿ ðàáîòû ñ ïýäàìè ôèðìû Roland (PD-5/7/9/80R/100/120, KD-80/120, V-Kick, KD-7 Kikc). ÒÅÕÍÈ×ÅÑÊÈÅ ÕÀÐÀÊÒÅÐÈÑÒÈÊÈ Ìàêñèìàëüíàÿ ïîëèôîíèÿ 54 ãîëîñà. Èíñòðóìåíòû: Drums 1000, Backing 54. Áàðàáàííûõ íàáîðîâ: 50 ïîëüçîâàòåëüñêèõ è 50 - êàðòà. ×èñëî çâåíüåâ áàðàáàííîãî íàáîðà 16. Ïàðàìåòðû èíñòðóìåíòîâ: àêóñòè÷åñêèå áàðàáàíû (Shell Material, Shell Depth, Head Type, Head Tuning, Muffing, Strainer Adjustment); ýëåêòðîííûå áàðàáàíû: (Attack, Tone Pitch, Noisi Pitch, Decay, Noise Tone Balance, Pitch Bend); ðèòì-ìàøèíû: TR-808/TR-809 (Attack, Tune, Tone, Shift, Snappy, Decay); äðóãèå èíñòðóìåíòû: Pitch, Decay. Ñòóäèéíûå ïàðàìåòðû: Studio Type, Room Size, Wall Type, Ambience Mic Position, Mic Type. Ïàðàìåòðû ìèêøåðà: Volume, Pan, Output Select. 10-êàíàëüíûé êîìïðåññîð, 10-êàíàëüíûé 2-ïîëîñíûé ýêâàëàéçåð, 3-ïîëîñíûé ìàñòåð EQ. Ýôôåêòû 30 òèïîâ. Ïàðàìåòðû òðèããåðîâ: Trigger Type, Sensitivity, Threshold, Curve. Ñåêâåíñîð: 4 òðåêà, 50 ïðåñåòíûõ ïàòòåðíîâ, 50 ïîëüçîâàòåëüñêèõ, ôóíêöèÿ Play One Shot, Loop, Tap, ðàçðåøåíèå - 192 åäèíèöû íà äëèòåëüíîñòü ÷åòâåðòíîé íîòû, ìåòîä çàïèñè Realtime. Èçìåíåíèå òåìïà 20 - 260. Äèñïëåé: ãðàôè÷åñêèé LCD ñ ïîäñâåòêîé 64 õ 160 òî÷åê, ñâåòîäèîäíûé LED 8-ñåãìåíòíûé 3-ñèìâîëüíûé. Êîììóòàöèîííûå ãí¸çäà: 12 ïàðíûõ òðèããåðíûõ âõîäîâ, 8 âûõîäîâ (4 ñòåðåîïàðû), âûõîä íà íàóøíèêè, âõîä Monitor Mix In (ñòåðåî), ãíåçäî êîíòðîëÿ Hi-Hat, íîæíîé ïàðíûé ïåðêëþ÷àòåëü, MIDI (In, Out, Thru), ñëîò äëÿ ïëàòû ðàñøèðåíèÿ, ñëîò äëÿ êàðòû ïàìÿòè. Ïîòðåáëÿåìàÿ ìîùíîñòü 18 W (AC 117/230/240 V). Ãàáàðèòû: 305 õ 245 õ 90 ìì. Âåñ 2.3 êã. Ïðîäàì çà 5000 ðóá ìàëûé 14 Õ 5 ñ êåâëàðîâûì ïëàñòèêîì Õàðä Äèíàìèêñ ñ äâóìÿ òðèããåðàìè (ïëàñòèê - îáîä) .Ðàáîòàåì ñ ëþáûì ìîäóëåì . Áåñøóìåí ,îïòèìàëåí äëÿ äîìàøíèõ òðåíèðîâîê. andrey196262@mail.ru |
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