Àâòîð | Òåìà: Digitech RP155 |
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Âðåìÿ: 19.08.2013 10:45 |
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ïðîöåññîð ýôôåêòîâ ãèòàðíûé ìîäåëèðóþùèé íàïîëüíûé, 83 ìîäåëåé ýôôåêòîâ, 20 ñåêóíäíûé ëóïåð, âñòðîåííàÿ äðàì-ìàøèíà, ñòåðåî âûõîä, âûõîä íà íàóøíèêè, âõîä äëÿ ïåäàëè ýêñïðåñèè, 24 áèò ÀÖÏ/ÖÀÏ, Îïèñàíèå DIGITECH RP155 GUITAR MULTI-EFFECT PROCESSOR: DigiTech RP155 – ýòî ãèòàðíûé ïðîöåññîð ýôôåêòîâ, êîòîðûé ìîäåëèðóåò 83 óñèëèòåëÿ, êàáèíåòà, ïåäàëè ýôôåêòîâ è ýôôåêòîâ. Èñïîëüçóéòå RP155, ÷òîáû ïîëó÷èòü ïðàêòè÷åñêè ëþáîé çâóê, êàêîé ïîæåëàåòå, òî÷íî êàê ïðîôåññèîíàëû. Ñ ïîòîêîâûì àóäèî USB, ïðîöåññîð ýôôåêòîâ DigiTech RP155 ñ ëåãêîñòüþ îñóùåñòâèò çàïèñü ïðÿìî íà öèôðîâóþ àóäèî ðàáî÷óþ ñòàíöèþ âàøåãî êîìïüþòåðà ñî çâóêàìè íàñòîëüêî âûñîêîãî êà÷åñòâà, ÷òî ëþäè áóäóò äóìàòü, áóäòî âû ñäåëàëè çàïèñü â âåäóùåé ñòóäèè çâóêîçàïèñè. ÝÔÔÅÊÒÛ: Ãðîìêîñòü/«Êâàêóøêè» áàçèðóþòñÿ íà: Volume Pedal DigiTech Full Range Êâàêåð Dunlop Cry Baby Êâàêåð Vox Clyde McCoy Wah Êîìïðåññîð/ëèìèòåðû áàçèðóþòñÿ íà: DigiTech Compressor Boss CS-2 Ñèìóëÿòîðû çâóêîñíèìàòåëÿ: Çâóêîñíèìàòåëü ñ îäíîé êàòóøêîé > õàìáåêåð Õàìáåêåð > çâóêîñíèìàòåëü ñ îäíîé êàòóøêîé Ñèìóëÿòîðû àêóñòè÷åñêîé ãèòàðû áàçèðóþòñÿ íà: Dreadnaught Acoustic Øóìîïîäàâèòåëü ïîðîãîâîãî äåéñòâèÿ/àâòîìàòè÷åñêîå ïîñòåïåííîå íàðàñòàíèå è çàòóõàíèå çâóêà áàçèðóþòñÿ íà: DigiTech Noise Gate DigiTech Auto Swell Ýôôåêòû õîðóñà áàçèðóþòñÿ íà: Boss CE-2 Chorus DigiTech Dual Chorus DigiTech Multi Chorus Ýôôåêòû ôëýíæåðà áàçèðóþòñÿ íà: DigiTech Flanger MXR Flanger Ýôôåêòû ôýéçåðà áàçèðóþòñÿ íà: DigiTech Phaser Ýôôåêòû ìîäóëÿöèè áàçèðóþòñÿ íà: DigiTech Whammy DigiTech Pitch Shift DigiTech Detune DigiTech Harmony Ýôôåêòû âèáðàòî/ðîòîðà áàçèðóþòñÿ íà: DigiTech Vibrato DigiTech Rotary Ýôôåêòû òðåìîëî áàçèðóþòñÿ íà: DigiTech Tremolo DigiTech Panner Ýôôåêòû îãèáàþùåé/ñïåöèàëüíûå ýôôåêòû áàçèðóþòñÿ íà: DigiTech Envelope Filter DigiTech Auto Ya DigiTech Step Filter Equalization 3 band EQ Ýôôåêòû äèëýéÿ áàçèðóþòñÿ íà: DigiTech Analog Delay DigiTech Digital Delay DigiTech Modulated Delay DigiTech Pong Delay DigiTech Tape Delay Ýôôåêòû ðåâåðáåðàöèè áàçèðóþòñÿ íà: Fender Twin Reverb Lexicon Ambience Lexicon Studio Lexicon Room Lexicon Hall EMT 240 Plate Ãèòàðíûå ïåäàëè ýôôåêòà äèñòîðøí áàçèðóþòñÿ íà: Arbiter Fuzz Face Boss DS-1 Distortion Boss MT-2 Metal Zone DigiTech Grunge DOD 250 Overdrive/Preamp DOD Gonkulator Ring Modulator Electro-Harmonix Big Muff Ibanez TS-9 Tube Screamer Ibanez TS-808 Tube Screamer ProCo Rat Óñèëèòåëè áàçèðóþòñÿ íà: '57 Fender Tweed Champ '57 Fender Tweed Deluxe '59 Fender Tweed Bassman '65 Fender Blackface Twin Reverb '65 Fender Blackface Deluxe Reverb '68 Marshall 100 Watt Super Lead (plexi) '77 Marshall Master Volume '83 Marshall JCM800 '93 Marshall JCM900 '62 Vox AC15 '63 Vox AC30 Top Boost '69 Hiwatt Custom 100 DR103 '81 Mesa/Boogie Mark II C '01 Mesa/Boogie Dual Rectifier '96 Matchless HC30 DigiTech Bright Clean DigiTech Clean Tube DigiTech High Gain DigiTech Metal DigiTech Solo Òèïû êàáèíåòà áàçèðóþòñÿ íà: '57 Fender Tweed Champ 1x8" '57 Fender Tweed Deluxe Reverb 1x12" '63 Vox AC30 Top Boost w/Jensen Blue Backs 2x12" '59 Fender Tweed Bassman 4x10" Marshall 1969 Straight w/Celestion G12-T70 4x12" Johnson Straight w/Celestion Vintage 30's 4x12" DigiTech Solo 4x12 DigiTech Bright 2x12 DigiTech Metal 4x12 DigiTech Rock 4x12 DigiTech Alt 4x12 DigiTech Vintage 4x12 Âñå ñïåöèôèêàöèè ìîãóò áûòü èçìåíåíû áåç óâåäîìëåíèÿ. DigiTech, X-Edit, Production Modeling, Grunge, Death Metal, Jimi Hendrix Artist Series Pedal, DOD, Gonkulator, DigiTech Whammy, Multi Chorus, Auto Ya, YaYa, Synth Talk, Lexicon, Johnson Amplification è AudioDNA ÿâëÿþòñÿ òîðãîâûìè çíàêàìè Harman International Industries Inc. Íàçâàíèÿ äðóãèõ ïðîäóêòîâ, ñìîäåëèðîâàííûõ â ýòîì óñòðîéñòâå, ÿâëÿþòñÿ ñîáñòâåííîñòüþ ñîîòâåòñòâóþùèõ èì êîìïàíèé, êîòîðûå íå èìåþò îòíîøåíèÿ, ñâÿçåé è ïàðòíåðñêèõ îòíîøåíèé ñ DigiTech èëè Harman International Industries, Inc. ADA Flanger, Arbiter Fuzz Face, Boss CE-2 Chorus, Boss CS-2, Boss DM-2, Boss DS-1, Boss Metal Zone, Boss OC-2 Octaver, Boss OD-1, Boss SD-1, Celestion, Carvin Legacy, Demeter Fuzzulator, Dunlop Cry Baby, EH Big Muff, EH Electric Mistress, EH Small Clone, EH Small Stone, EMT 240 Plate, Fender Blackface Deluxe Reverb, Fender Blackface Twin Reverb, Fender Blonde Bassman, Fender Brownface Bassman, Fender Opto Tremolo, Fender Tweed Bassman, Fender Tweed Champ, Fender Tweed Deluxe, Fender Twin Reverb, Fulltone OCD Overdrive, Gibson GA-40, Guyatone Overdrive, Hiwatt, Ibanez Tube Screamer, Jensen Blue Backs, Laney Supergroup, Maestro EP-2, Marshall, Marshall JTM-45, Marshall Jump Panel, Marshall Master Volume, Marshall Super Lead, Matchless, Matchless Chieftain, Mesa/Boogie, .22 Caliber, Mark II, Mark IV, Dual Rectifier, Triple Rectifier, MXR, MXR Distortion +, MXR DynaComp, MXR Flanger, MXR Phase 100, Orange OR120, Peavey 5150, ProCo Rat, Randall HT-100, Roger Mayer Octavia, Roland JC-120, Soldano, Sunn 100S, TC Electronic Chorus, Unicord Uni-Vibe, VHT Amplification, Voodoo Labs Analog Chorus, Voodoo Labs Sparkle Drive, Vox, Vox Bias Tremolo, Vox Clyde McCoy Wah, è Vox Top Boost ÿâëÿþòñÿ òîðãîâûìè ìàðêàìè äðóãèõ ïðîèçâîäèòåëåé è áûëè èñïîëüçîâàíû ëèøü ñ öåëüþ èäåíòèôèöèðîâàíèÿ ïðîäóêòîâ, çâóêè êîòîðûõ áûëè ðàññìîòðåíû â ïðîöåññå ñîçäàíèÿ ýòîãî ïðîäóêòà. Âñå äðóãèå òîðãîâûå ìàðêè ÿâëÿþòñÿ ñîáñòâåííîñòüþ èõ âëàäåëüöåâ. ÎÑÍÎÂÍÛÅ ÑÂÎÉÑÒÂÀ ÃÈÒÀÐÍÎÃÎ ÌÎÄÅËÈÐÓÞÙÅÃÎ ÍÀÏÎËÜÍÎÃÎ ÏÐÎÖÅÑÑÎÐÀ ÝÔÔÅÊÒΠDIGITECH RP155 GUITAR MULTI EFFECTS PEDAL: • 20-ñåêóíäíûé ëóïåð • 83 óñèëèòåëÿ, êàáèíåòà, ïåäàëåé ýôôåêòà è ýôôåêòà • 23 òèïà óñèëèòåëåé • 12 òèïîâ êàáèíåòîâ • Ýôôåêòû ðåâåðáåðàöèè Lexicon • 30 çâóêîâûõ áèáëèîòåê è 30 áèáëèîòåê ýôôåêòîâ • 100 ïðåñåòîâ (50 ïðåäâàðèòåëüíî íàñòðîåííûõ, 50 ïîëüçîâàòåëüñêèõ) • Âðåìÿ çàäåðæêè äî ïÿòè ñåêóíä • ×àñòîòà äèñêðåòèçàöèè 24 áèòà 44,1 êÃö • 60 âûñîêîêà÷åñòâåííûõ ïàòòåðíîâ óäàðíûõ • 2 õ 2 USB ïîòîêà àóäèî • Íåçàâèñèìûå âûõîäû ïðàâîãî è ëåâîãî êàíàëà ñ ðàçúåìàìè 1/4’’ • Ïåðåêëþ÷àòåëü óñèëèòåëü/ìèêøåð îïòèìèçèðóåò âûõîäû 1/4’’ äëÿ óñèëèòåëåé è ìèêøåðîâ • Ñòåðåî âûõîä 1/8’’ äëÿ ïîäêëþ÷åíèÿ íàóøíèêîâ • Âñïîìîãàòåëüíûé ñòåðåî âõîä 1/8’’ • Âñòðîåííûé õðîìàòè÷åñêèé òþíåð • Íàäåæíûå ëèòûå ðåãóëÿòîðû • Áëîê-ïèòàíèÿ â êîìïëåêòå ïîñòàâêè Ïðîöåññîð ïðèâåçåí èç àìåðèêè ïàðó ëåò íàçàä è ïðîâàëÿëñÿ áåç èñïîëüçîâàíèÿ âñå ýòî âðåìÿ. Òðåáóåòñÿ äîêóïèòü ïåðåõîäíèê ñ àìåðèêàíñêîé ðîçåòêè íà íàøè. |
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