| Àâòîð | Òåìà: Damage Control Demonizer |
|
|
Âðåìÿ: 08.01.2012 21:29 |
|---|---|---|---|---|
|
Ìîñêâà Fender Jazz Bass 
|
Ïðîäàþ ïðàêòè÷åñêè íîâûé äèñòîðøí êëàññà À , Custom êëàññà âìåñòå ñ êîðîáêîé è ôèðìåííûì áëîêîì ïèòàíèÿ , ñäåëàí â ðó÷íóþ â ÑØÀ , î÷åíü ðåäêàÿ ïåäàëüêà , èñïîëüçóåò ñðàçó 2 ëàìïû 12AX7-EH , ñàìûé áîëüøîé ïëþñ ýòî òî ÷òî â í¸ì ëàìïû ðàáîòàþò íà ñâî¸ì ðîäíîì íàïðÿæåíèè 250 Âîëüò , à íå 30-40 êàê â äåøåâûõ ïåäàëüêàõ ñ ëàìïî÷êàìè!!! Âîò êðàòêîå îïèñàíèå íà àíãëèéñêîì ÿçûêå: Demonizer – Pure Class A Distortion We recently decided to discontinue our existing line of dual vacuum tube effects pedals and focus our attention on our Strymon line of gear. Watch the Strymon blog and sign up for the Strymon email newsletter for updates. Thanks! Direct Recording Monster 3 devices in one: tube preamp, direct recording preamp, and tube distortion pedal. Massive dual 12AX7 gain section with tons of class A gain. Studio quality opto-compressor based on a classic circuit. Dial in your dynamics simply and easily. Active pre and post EQ sections. Pre EQ boost with variable frequency control. Post EQ features mid scoop control and active treble control. Advanced all-analog speaker compensation circuit results in the best direct recording tones available with any technology. Developed with extensive analysis of a closed back 4?12. “Magic Eye” display technology responds to playing dynamics. Rugged, road ready metal knobs and switches. 20dB of additional footswitchable gain via “nuclear” footswitch. Crafted with love in the USA Superior Analog Performance True Bypass. No compromise relay true bypass for zero loss bypass signal performance. NO tonal degradation. Premium low noise signal path. Direct output featuring 14th order advanced analog speaker emulation. Dual 12AX7s run at their full 250V plate voltage. No starving plates here. P.S. áëîê ïèòàíèÿ ðàáîòàåò îò 110 âîëüò òàê êàê ñäåëàí îí â Àìåðèêå äëÿ àìåðèêàíöåâ  èç ýòîãî ñëåäóåò ÷òî êà÷åñòâî íà î÷åíü âûñîêîì óðîâíå, ñ äðóãèìè áëîêàìè ïèòàíèÿ ê ñîæàëåíèþ íå ðàáîòàåò , íî ÿ ïðèëàãàþ àäàïòåð â êîìïëåêòå 220-110 âîëüò òàê ÷òî ïðîáëåì íå áóäåò , î÷åíü êà÷åñòâåííûé ïðèáîð áóäåòå äîâîëüíû:)
|
|
||
| Àâòîð |
Òåìà: Re: Damage Control Demonizer
Âðåìÿ: 09.01.2012 00:01 |
|
|---|---|---|
|
Ñàíêò-Ïåòåðáóðã guitar
|
Âäðóã çàèíòåðåñóåò ñ äîïëàòîé ðàçíèöû (åñëè ÷òî ïèøè â ëè÷êó). À òàê ïðèáîð îòëè÷íåéøèé, óäà÷è ñ ïðîäàæåé! |
|
|
|
||
| Àâòîð |
Òåìà: Re: Damage Control Demonizer
Âðåìÿ: 09.01.2012 01:52 |
|
|---|---|---|
|
Ìîñêâà Fender Jazz Bass
|
îáìåí íå èíòåðåñóåò
|
|
|
|
||
| Àâòîð |
Òåìà: Re: Damage Control Demonizer
Âðåìÿ: 09.01.2012 16:26 |
|
|---|---|---|
|
Ìîñêâà Fender Jazz Bass
|
Ñïàñèáî!!! | |
|
|
||
| Àâòîð |
Òåìà: Re: Damage Control Demonizer
Âðåìÿ: 10.01.2012 11:14 |
|
|---|---|---|
|
Moscow Guitar, Bass, Keyboards, Vocal
|
âîçüìó. | |
|
|
||