| Àâòîð | Òåìà: ïðîäàì êëàâèøíûå ÑÈÍÒÅÇÀÒÎÐ ROLAND SH 201 + êîôð íà êîëåñèêàõ äëÿ ñåé ìîäåëè |
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Âðåìÿ: 07.04.2012 15:21 |
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Ñïåöèôèêàöèÿ: Êëàâèàòóðà:9 êëàâèø (îòâå÷àåò íà ñêîðîñòü íàæàòèÿ) Çâóêîâîé ãåíåðàòîð: íà îñíîâå ìîäåëèðîâàíèÿ àíàëîãîâîãî ñèíòåçà: òîí ïîëó÷àåòñÿ ñ ïîìîùüþ ñëîæåíèÿ (MIX) èëè ìîäóëÿöèè (MOD) ñèãíàëà äâóõ îñöèëëÿòîðîâ. Äàëåå ñèãíàë ïðîõîäèò 1 óïðàâëÿåìûé ôèëüòð, 1 óïðàâëÿåìûé óñèëèòåëü, â êà÷åñòâå èñòî÷íèêîâ óïðàâëåíèÿ èìåþòñÿ 2 ãåíåðàòîðà íèçêîé ÷àñòîòû LFO è 3 ãåíåðàòîðà îãèáàþùåé Envelopes. ×èñëî òîíîâ íà ïàò÷: äâà òîíà íà ïàò÷ (âåðõíèé è íèæíèé, êàæäûé íåçàâèñèì äðóã îò äðóãà ñîñòîèò èç äâóõ îñöèëëÿòîðîâ) ñ âîçìîæíîñòüþ íàëîæåíèÿ (layer) è ðàçäåëåíèÿ (split). Ìóëüòèòåìáðàëüíîñòü: 1 ïàðòèÿ. Ìàêñèìàëüíàÿ ïîëèôîíèÿ: 10 ãîëîñîâ ×èñëî ïàò÷åé â ïàìÿòè: 32 ïàò÷à, çàäàííûõ íà ôàáðèêå, ïëþñ 32 ïîëüçîâàòåëüñêèõ. Ñåêöèÿ îñöèëëÿòîðà OSC: Ôîðìà âîëíû Oscillator Waveform: ïèëîîáðàçíàÿ SAW, ïðÿìîóãîëüíàÿ SQUARE, ïðÿìîóãîëüíàÿ ñ èçìåíÿåìîé ñêâàæíîñòüþ PULSE/PWM, òðåóãîëüíàÿ TRIANGLE, ñèíóñîèäàëüíàÿ SINE, øóì NOISE, îñöèëëÿòîð ñ îáðàòíîé ñâÿçüþ FB OSC, íàëîæåííûå ïèëîîáðàçíûå âîëíû Super SAW, âõîäíîé ñèãíàë EXT IN, Ðó÷êè óïðàâëåíèÿ: âûñîòà Pitch, ðàññòðîéêà Detune, øèðèíà èìïóëüñà èëè óðîâåíü îáðàòíîé ñâÿçè PulseWidth/Feedback, îãèáàþùàÿ âûñîòû Pitch Enveloper: àòàêà Attack, çàòóõàíèå Decay. Ñåêöèÿ ìèêøåðà/ìîäóëÿöèè MIX/MOD: Îáû÷íîå ñëîæåíèå ñèãíàëîâ MIX, Ñèíõðîíèçàöèÿ îñöèëëÿòîðîâ Oscillator Sync, êîëüöåâàÿ ìîäóëÿöèÿ: Ring Modulation, îáðåçàíèå èëè óñèëåíèå íèçêèõ ÷àñòîò Low Boost/Low Cut. Ðó÷êà áàëàíñà îñöèëëÿòîðîâ: Balance (OSC1/OSC2). Ñåêöèÿ ôèëüòðà FILTER: òèï ôèëüòðà Filter Type: ïðîõîæäåíèå íèçêèõ ÷àñòîò LPF, ïðîõîæäåíèå ïîëîñû ÷àñòîò BPF, ïðîõîæäåíèå âåðõíèõ ÷àñòîò HPF (êðóòèçíà -12 dB/-24 dB), Ðó÷êè óïðàâëåíèÿ: ÷àñòîòà ñðåçà Cutoff, ðåçîíàíñ Resonance, çàâèñèìîñòü ÷àñòîòû ñðåçà îò âûñîòû íîòû Key follow, Îãèáàþùàÿ ôèëüòðà: àòàêà Attack, çàòóõàíèå Decay, óðîâåíü Sustain, çàòóõàíèå ïîñëå îòïóñêàíèÿ êëàâèøè Release. Ñåêöèÿ óïðàâëÿåìîãî óñèëèòåëÿ AMP: ðó÷êè óïðàâëåíèÿ: óðîâåíü Level, ýôôåêò â ðàçðûâ öåïè Insertion Effect: ïåðåãðóçêà Overdrive, îãèáàþùàÿ ãðîìêîñòè: àòàêà Attack, çàòóõàíèå Decay, óðîâåíü Sustain, çàòóõàíèå ïîñëå îòïóñêàíèÿ êëàâèøè Release. Ñåêöèÿ ãåíåðàòîðà íèçêîé ÷àñòîòû LFO: ôîðìà âîëíû LFO: òðåóãîëüíàÿ TRIANGLE, ñèíóñîîáðàçíàÿ SINE, ïèëîîáðàçíàÿ SAW, ïðÿìîóãîëüíàÿ SQUARE, òðàïåöåâèäíàÿ TRAPEZOID, SAMPLE AND HOLD, ñëó÷àéíûé RANDOM, Ðó÷êè óïðàâëåíèÿ: ÷àñòîòà Rate, ñòåïåíü âëèÿíèÿ íà ïåðâîå ìåñòî íàçíà÷åíèÿ Destination 1 Depth, ñòåïåíü âëèÿíèÿ íà âòîðîå ìåñòî íàçíà÷åíèÿ Destination 2 Depth, ñèíõðîíèçàöèÿ ñ òåìïîì Tempo Sync ON/OFF. Ýôôåêòû: Ðåâåðáåðàöèÿ, çàäåðæêà ñ ìîäóëÿöèåé. Îðãàíû óïðàâëåíèÿ èñïîëíèòåëüñêèå: ðó÷êà âûñîòû òîíà Pitch Bend/Modulation lever, èíôðàêðàñíûé êîíòðîëëåð D Beam ñ íàçíà÷àåìûìè ôóíêöèÿìè. Àðïåäæèàòîð: øàáëîíû àðïåäæèî: 32, òåìï: 20 – 250 B.P.M. *Êàæäûé øàáëîí ïîëíîñòüþ ïðîãðàììèðóåòñÿ ñ ïîìîùüþ ïðîãðàììíîãî ðåäàêòîðà äëÿ êîìïüþòåðà íà ïëàòôîðìå PC. Ðåêîðäåð: ïðîñòîé îäíîäîðîæå÷íûé MIDI-ðåêîðäåð, òåìï ìåíÿåòñÿ â ïðåäåëàõ îò 20 äî 250 ÷åòâåðòåé â ìèíóòó. Êîììóòàöèÿ: âûõîäíûå ðàçúåìû Output (L/MONO, R) – äæåêè 1/4 äþéìà, ðàçúåì äëÿ íàóøíèêîâ Headphones, âõîäíûå ðàçúåìû Input Jacks (L, R) – ðàçúåìû òèïà «òþëüïàíû» RCA, ðàçúåìû MIDI (IN, OUT), ïîðò USB (äëÿ ïåðåäà÷è AUDIO è MIDI), ðàçúåì äëÿ ïåäàëè Pedal, ðàçúåì äëÿ àäàïòåðà ïèòàíèÿ DC In. Ïèòàíèå: îò àäàïòåðà 9   êîìïëåêòå: ðóêîâîäñòâî ïîëüçîâàòåëÿ, àäàïòåð ïèòàíèÿ (ñåðèè PSB-1U or ACI), êîìïàêò äèñê ñ äðàéâåðîì USB, ïðîãðàììíûì ðåäàêòîðîì, ïðîãðàììíûì áèáëèîòåêàðåì Librarian. Øèðèíà: 88,4 ñì; Ãëóáèíà: 35,4 ñì; Âûñîòà: 10,7 ñì Âåñ: 5,2 Âîçìîæíà ïåðåñûëêà â äðóãèå ðåãèîíû ipolevin@gmail.com +79176280033 Ïðèìåð çâó÷àíèÿ: |
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