| Àâòîð |
Òåìà: ÷òî åñòü shape?
Âðåìÿ: 27.12.2005 21:23 |
|
|---|---|---|
|
Âîñòî÷íîå Èçìàéëîâî ñåìïëåð, ñìû÷îê è êàíèôîëü  
|
ñîáñíî ñàáæ. ýòî òèïà óìíîãî ýêâàëàéçåðà, àëü ÷î? |
|
|
Ìåíÿ ïóòåí îáûäëèë, ÿ ïîýòîìó â ïîäúåçäå ññó (Âåïðü)
lick this post! |
||
| Àâòîð |
Òåìà: Re: ÷òî åñòü shape?
Âðåìÿ: 28.12.2005 01:23 |
|
|---|---|---|
|
èëè íå... òàíåö øýéê ? íó íå âàæíî ýòî ôèëüòð òàêîé... îïöèîíàëüíûé |
|
|
|
||
| Àâòîð |
Òåìà: Re: ÷òî åñòü shape?
Âðåìÿ: 28.12.2005 01:43 |
|
|---|---|---|
|
Ìîñêâà Áàñ-ãèòàðà
|
Ðåçêîñòè äîáàâëÿåò, àãà. Çâóê ïðÿì êðóòîé êàê îáðûâ è ðåçêèé êàê ïîíîñ. Òû ïîêðóòè, òàì ÿñíî ñòàíåò. | |
|
ß çà àëêàñòàìç, ëàìïû òåëåôóíêåí (ñ ñóùíîñòÿìè), ðèñîâóþ áóìàãó, ïðîêàíèôîëåííûé ãðèô, íåôîíÿùèå ðåìíè è óñòàíîâêó áàñà â âàííîé íà òàçèê. (c) F. young
|
||
| Àâòîð |
Òåìà: Re: ÷òî åñòü shape?
Âðåìÿ: 28.12.2005 13:46 |
|
|---|---|---|
|
|
Shape - ýòî òàêîé õèòðûé mid-range control, ÷òîáû ïîäñòðàèâàòü çâóê ïîä êîíêðåòíîå ïîìåùåíèå. Âî âñÿêîì ñëó÷àå ÿ òàêóþ âåðñèþ ñëûøàë | |
|
|
||
| Àâòîð |
Òåìà: Re: ÷òî åñòü shape?
Âðåìÿ: 28.12.2005 15:50 |
|
|---|---|---|
|
Poll
|
A unique contour filtering system called “Shape.” This activatesan equalization curve specially designed to enhance the sound ofthe electric bass. In addition, a Shape control enables you to continuously sweep a filter through various frequency areas in order to customize the effect of the Shape curve to the specific tonal characteristics of your particular bass instrument. Shape control- When the Shape switch (see #3 above) is pressedin, this control is active. It applies a 20 dB filter to the specified frequency area so that you can customize the effect of the Shape curveto best complement your particular bass instrument. Moving the Shape control clockwise causes the notch filter to be applied to higher frequen-cies while moving it counterclockwise causes it to be applied to lowerfrequencies. At the fully clockwise position, the filter is applied to the 1 kHz frequency area; at the fully counterclockwise position, the filter isapplied to the 80 Hz frequency area. When the frontpanel Shape switch is pressed in, a special equalization curve isactivated that is designed to improve the sound of most electric bassinstruments. This curve provides moderate boost at certain frequency areas and deep attenuation at other frequency areas. Furthermore, thefront panel Shape control adds a filter to a selected frequency areawithin the Shape curve. As the Shape knob is turned clockwise, the filter is imposed on higher frequency areas; as it is turned counterclockwise, the filter is imposed on lower frequency areas. At the fully clockwise position, the filter is applied to the 1 kHz frequency area; at the fully counterclockwise position, the filter is applied to the 80 Hz frequency area. Even when Shape is activated, the front-panel EQ controls remainoperational. When all three EQ controls are set to their “0” (flat)position, they add no boost or attenuation to the preset Shape curve.However, when any EQ controls are turned left or right of their 12 o’clock (“0”) position, their boost or attenuation effect is superimposed upon the preset Shape curve. In this way, you cancustomize the sound of the HS 1200 further still to complement your particular bass instrument and playing style. Note that, when the Shape switch is out, the EQ controls operate onthe “flat” signal coming from your bass (that is, there is no preset equalization curve imposed). |
|
|
|
||
| Àâòîð |
Òåìà: Re: ÷òî åñòü shape?
Âðåìÿ: 28.12.2005 15:59 |
|
|---|---|---|
|
ðîñòîâ íà äîíó
|
áððð, êàê ìíîãà áóêàô , íèñèëèë íèôèãà... | |
|
|
||
| Àâòîð |
Òåìà: Re: ÷òî åñòü shape?
Âðåìÿ: 28.12.2005 16:45 |
|
|---|---|---|
|
|
Poll à ìîæíî íà ðóññêîì èëè â êðàé - íà ôðàíöóçñêîì??? | |
|
|
||
| Àâòîð |
Òåìà: Re: ÷òî åñòü shape?
Âðåìÿ: 28.12.2005 17:50 |
|
|---|---|---|
|
Poll
|
Áëèí, êàê çàäîëáàëî ýòî âîèíñòâóþùåå íàâåæåñòâî... Torch, à åñëè áû ðåãóëÿòîð Shape áûë áû íà ïåëîòêå òâîå áàáû èëè íà áóòûëêå âîäêè - èíòåðåñîâàëñÿ áû çà÷åì è êàê ïîëüçîâàòüñÿ? Íà ðóññêîì äëÿ íîðäè÷åñêèõ ïåðñîíàæåé: Shape - ýòî íåêèé ñïåöèàëüíûé ôèëüòð, êîòîðûé ïðè àêòèâèçàöèè ïîâûøàåò íà 20äÁ óðîâåíü ñèãíàëà íà ÷àñòîòå, îïðåäåëÿåìîé åãî ïîëîæåíèåì/øêàëîé (îò 80 Ãö äî 1 êÃö). Âñå ýòî - êîíêðåòíî äëÿ Shape Hartke Kickback è èæå ñ íèìè. |
|
|
|
||
| Àâòîð |
Òåìà: Re: ÷òî åñòü shape?
Âðåìÿ: 28.12.2005 18:03 |
|
|---|---|---|
|
Ìîñêâà Áàñ-ãèòàðà
|
Âî-î, òàê ëó÷øå, à òî è âïðÿìü - ìíîãàáóêô. : ))) | |
|
ß çà àëêàñòàìç, ëàìïû òåëåôóíêåí (ñ ñóùíîñòÿìè), ðèñîâóþ áóìàãó, ïðîêàíèôîëåííûé ãðèô, íåôîíÿùèå ðåìíè è óñòàíîâêó áàñà â âàííîé íà òàçèê. (c) F. young
|
||
| Àâòîð |
Òåìà: Re: ÷òî åñòü shape?
Âðåìÿ: 28.12.2005 18:48 |
|
|---|---|---|
|
Ayse
|
Òîëüêî íå äîáàâëÿåò, à óáèðàåò 20 äá. èç çàäàííîãî äèàïàçîíà... ýòî ïðî Õàðòêå... | |
|
|
||
| Àâòîð |
Òåìà: Re: ÷òî åñòü shape?
Âðåìÿ: 28.12.2005 19:00 |
|
|---|---|---|
|
Ìîñêâà Fender JB '75 
|
Øýéï ýò êðóòî, áåç íåãî ìîé áàö â çàëå íå çâó÷èò =) À âîîïøå ïîëåçíàéà ôóíêöèÿ/êðóòèëîêà. | |
|
|
||
| Àâòîð |
Òåìà: Re: ÷òî åñòü shape?
Âðåìÿ: 28.12.2005 19:19 |
|
|---|---|---|
|
Poll
|
2Ayse: This curve provides moderate boost at certain frequency areas and deep attenuation at other frequency areas. Ïåðåâîä íóæåí? |
|
|
|
||
| Àâòîð |
Òåìà: Re: ÷òî åñòü shape?
Âðåìÿ: 28.12.2005 21:15 |
|
|---|---|---|
|
Âîñòî÷íîå Èçìàéëîâî ñåìïëåð, ñìû÷îê è êàíèôîëü
|
ÿ ê ÷åìó ðàçãîâîð çàâåë... íà Radial Bassbone (ïîìèìà ýêâàëàéçåðà) åñòü òàêàÿ ïåðåêëþ÷àëêà 'shape' íà òðè ïîëîæåíèÿ: flat (áàéïàñ); shape1 (+4.5 dB @ 110 Hz, -5.1 dB @ 650 Hz, +2.7 dB @ 4.3 Khz); shape2 (+3.7 dB @ 75 Hz, -6.3 dB @ 350 Hz, +11 dB @ 5.6Khz). à íà õàðòêå, ÿ òàê ïîíÿë, ìîæíî ðåãóëèðîâàòü ýòè ÷àñòîòû... |
|
|
Ìåíÿ ïóòåí îáûäëèë, ÿ ïîýòîìó â ïîäúåçäå ññó (Âåïðü)
lick this post! |
||
| Àâòîð |
Òåìà: Re: ÷òî åñòü shape?
Âðåìÿ: 28.12.2005 21:56 |
|
|---|---|---|
|
Ayse
|
2Poll, íå íàäî, íå òàê ïðî÷èòàë... ãëàç óïàë íà ñëîâî attentuation |
|
|
|
||